Golden Girls is one of my ten favorite TV shows ever. Recently, the entire series came to Hulu. I went to find the terrific oral history of the show, published just last year… and it was gone. The entire publication and its website had folded.
Bea was always my favorite. I left after the third season, and that’s the year she won her Emmy for Best Actress. I was at the ceremony, and after she gave her speech she came over and said, “Winifred, did you hear I mentioned your name, you little twat?” She was mad because I left.
That Golden Girls oral history is part of why I’ve been thinking about how we might save and recirculate the best parts of the web. So many good things have already vanished. The web is resilient, but fragile, too.
Big, splashy, gossipy pop culture oral histories used to be pretty rare, online or off. Vanity Fair would publish one every once in a while; in 2009, the magazine collected nine of them from the previous decade, including great features on The Simpsons, Saturday Night Live, Motown Records, and a galloping 50-year history of the entire internet, from ARPA to YouTube. Other magazines would do oral histories from time to time — GQ has had some terrific ones — but the real explosion begins in this decade, and it begins and ends on the web.
One of the first pieces Grantland published in 2011 was an oral history of The National, a writerly sports publication stacked with talent that could never make enough money and ended far too soon. (Message!) Right around then, a few really successful features helped kick off the boom.
Since then, my god — we have so many oral histories! Two years ago, Thrillist put together a list of 260 oral histories on music, movies, TV, and related pop culture alone. There are fake oral histories, “oral histories” that only interview two people, oral histories of things the writers profess to hate (trigger warning: autoplay), and oral histories of cult TV shows even more cultish side characters. (“In the end, I really liked Magnitude because I realized that the reason he calls himself Magnitude is because it stands for Magnetic Attitude.”)
But what are the histories you actually need to read? The Kottke Archives have links to and capsule summaries of no fewer than twenty-five oral histories, going back to 2008. These include histories of SXSW Interactive, the Challenger disaster, Freaks and Geeks, Cheers, Die Hard, and George Lucas’s Industrial Light and Magic.
With these alone, you already have enough reading material to get you through this week and beyond. But since we’re saving these for aliens, our grandchildren, and our alien grandchildren, I’m going to add a few more. These are just some of my favorite oral histories that (as far as I can tell) have never appeared on Kottke.org.
- An oral history of the March on Washington (Smithsonian, 2013)
- Surely you can’t be serious: An oral history of Airplane! (The Onion A.V. Club, 2015)
- Martin Scorsese’s Goodfellas: A Complete Oral History (GQ, 2010)
- You Either Smoke or You Get Smoked: An oral history of White Men Can’t Jump (Grantland, 2012)
- Girly Show: The Oral History of Liz Phair’s ‘Exile In Guyville’ (Spin, 2013)
- Teats Out: An Oral History of the Rise and Fall (and Rise) of “The Dana Carvey Show” (GQ, 2011)
- Hall Pass: An oral history of Kids in the Hall (Now Toronto, 2013)
- Sail Away: The Oral History of ‘Yacht Rock’ (Rolling Stone, 2015)
That last oral history in particular shows you how much the web has changed over the last twelve years — i.e., about half its life. In 2005, Yacht Rock was a show that me and a few thousand other people were really excited about, and that was enough to make it a web sensation. You couldn’t even get it on YouTube, because YouTube barely existed. Web video series were not getting loving write-ups in prestigious magazines. Yet here we are.