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Photographer Vincent Laforet, formerly of the NY Times, is in Beijing making photos of the Olympics. Here's a look at some of the stuff he's been shooting and the process behind getting those wonderful overhead shots of his.

Getting a photograph of Phelps from above is priceless -- so it's all worth the hassle. Here he is winning gold in the 200 meter individual medley. This was shot with a 400mm 2.8 handheld--oh yeah, hand holding a 12 pound lens ain't easy. Luckily it was strapped to me -- and I to the catwalk with oodles of safety cables. We weren't allowed to being extra CF Cards or even a paper start list, which is pretty extreme if you ask me. We were patted down before we went up by the photo escorts, and we all tried to get things in -- even our credentials were left behind. While extreme, I agree with one of the photo escorts who said that if even one sheet of paper floated harmlessly down from the catwalk. it would be game over for everyone -- no more catwalk access.

You can keep up with Laforet's Olympic output at his blog. (thx, stacy)

Some great photos of Americans commuting by Vincent Laforet using a tilt shift lens. (via dryden is home)

Vincent Laforet talks about a sports photo series he did using the tilt-shift technique.

Olympics wrap-up

I've got a few stories about the Winter Olympics open in tabs, so in the interest of getting rid of them:

- Photographer Vincent Laforet discusses his process in getting the photographs he wants.
- How the broadcast graphics were done for NBC's coverage of the Olympics.
- The Nation on what went wrong with NBC's coverage.
- Here's the New Yorker's take on the TV coverage.

Finally, Gelf Magazine compares Olympic predictions with the actual results. The media outlets surveyed all predicted higher medal counts for the US, but weren't off by that much (aside from the ridiculous AP predicitons). Only NBC and Nike were surprised that Bode Miller sucked so royally.

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