When the story about Donald Trump bragging about sexually assaulting women broke, the NY Times took the unusual step of publishing exactly what the presidential candidate said.
In the three-minute recording, which was obtained by The Washington Post, Mr. Trump recounts to the television personality Billy Bush of “Access Hollywood” how he once pursued a married woman and “moved on her like a bitch, but I couldn’t get there,” expressing regret that they did not have sex. But he brags of a special status with women: Because he was “a star,” he says, he could “grab them by the pussy” whenever he wanted.
“You can do anything,” Mr. Trump says.
He also said he was compulsively drawn to kissing beautiful women “like a magnet” — “I don’t even wait” — and talked about plotting to seduce the married woman by taking her furniture shopping. Mr. Trump, who was 59 at the time he made the remarks, went on to disparage the woman, whom he did not name, saying, “I did try and fuck her. She was married,” and saying, “She’s now got the big phony tits and everything.”
It was unusual because of the Times’ policy of not printing profanity, even if the profane words themselves are newsworthy. In this case, the editors felt they had no choice but to print the actual words spoken by Trump.
In piece published earlier the same day the Trump story broke, Blake Eskin, who has been tracking the Times’ non-use of profanity at Fit to Print, highlights the racial and classist implications of the policy.
As I’ve noticed over the years while documenting how the Times writes around profanity, a lot of the expletives the Times avoids come up around race: in stories about hip-hop, professional sports, and police shootings. (I’m getting all the data into a spreadsheet so I can back up this assertion.)
The Times seems compelled both to tell readers that people curse in these contexts and to frown upon it.
It’s as if profanity is like a sack dance or a bat flip, a classless flourish that the archetypal Times reader, who is presumably white, can take vicarious pleasure in without having to perform it himself.
You cannot tell authentic stories about people who are systematically discriminated against in our society without using their actual words and the actual words spoken against them related to that discrimination. Full stop.
From a New Zealand sketch comedy show called Funny Girls, a send-up of a typical manly man “built tough” truck commercial. I barely watch any actual TV anymore, but those truck commercials have always been the worst. (thx, sarah)
Humans of New York recently caught up with Hillary Clinton and she talked about how her public persona came to be.
I know that I can be perceived as aloof or cold or unemotional. But I had to learn as a young woman to control my emotions. And that’s a hard path to walk. Because you need to protect yourself, you need to keep steady, but at the same time you don’t want to seem ‘walled off.’ And sometimes I think I come across more in the ‘walled off’ arena. And if I create that perception, then I take responsibility. I don’t view myself as cold or unemotional. And neither do my friends. And neither does my family. But if that sometimes is the perception I create, then I can’t blame people for thinking that.
Clinton is just a different type of politician than her husband or Obama, for good reason.
Women are seen through a different lens. It’s not bad. It’s just a fact. It’s really quite funny. I’ll go to these events and there will be men speaking before me, and they’ll be pounding the message, and screaming about how we need to win the election. And people will love it. And I want to do the same thing. Because I care about this stuff. But I’ve learned that I can’t be quite so passionate in my presentation. I love to wave my arms, but apparently that’s a little bit scary to people. And I can’t yell too much. It comes across as ‘too loud’ or ‘too shrill’ or ‘too this’ or ‘too that.’ Which is funny, because I’m always convinced that the people in the front row are loving it.
When she says “it’s not bad,” that’s a perfect illustration of not being able to say exactly what you want how you want. A woman gets excited and she seems deranged or unhinged but a man gets excited and he’s seen as passionate? That seems bad to me.
P.S. Clinton is reading Elena Ferrante’s Neapolitan novels!
“You know what I have started reading and it’s just hypnotic is the Neapolitan novels by Elena Ferrante,” she tells Linsky, commenting on Ferrante’s intoxicating novels about female relationships in Naples, Italy that have an intense cult following. “I had to stop myself so I read the first one. I could not stop reading it or thinking about it.”
They’re the best fiction I’ve read in ages…so sad I’ve finished them all.
Writer Mary Beth Williams tweeted the following this morning:
No actively competitive female sports figures on SI cover since Olympic gymnast team. July 2012.
Intrigued, I went back through Sports Illustrated’s cover archive and counted the number of covers featuring active female athletes. I only needed one hand:
2012: 1 (US Women’s Gymnastics Team)
2011: 1 (Hope Solo)
2010: 3! (Serena Williams, Lindsey Vonn, Julia Mancuso & Vonn)
Pathetic. And ESPN the Magazine isn’t any better…most of the female athletes on their covers over the past five years are naked. Well, except for this one of the incredibly talented skier Lindsey Vonn with her face photoshopped onto Sharon Stone’s body in the leg uncrossing scene from Basic Instinct.
As Williams notes on Twitter, Sports Illustrated “could show women as more than bikinis. As athletes.” and “I want my daughters to read sports magazines & see themselves represented, not Barbie.” Seems like we need a Title IX for sports magazines.
Update: Vonn’s face was not photoshopped onto Stone’s body. Which is…better, I guess? Maybe?
In her series City of Brother Love, Hannah Price photographs the men who catcall her on the street. A selection of her images and a short interview is available on The Morning News.
Once a guy catcalls me, depending on the situation, I would either candidly take their photograph or walk up to them and ask if I can take their photograph. They usually agree and we talk about our lives as I make their portrait.
An interesting approach to sexist heckling. Here’s another by jogger Anna Hart:
But sometimes, a heckler still makes himself heard, like the wheezing smoker on a park bench who called out to me: “I could give you a better workout, love,” as I ran past him earlier this week.
I suddenly thought of that 16-year-old stuck indoors on the treadmill, and turned around. “You know what I want?” I said, as he shrank back in alarm. “I want you to never, ever speak to another woman or girl like that, you pathetic old fool.” I was very sweaty, very pink and very angry, and he was plainly terrified.
The sexing up of the female on-camera meteorologists at the Weather Channel. From a SVP at TWC: “When you compare The Weather Channel women on camera to the weather women on camera around the country, we got the best. I mean, thats what we set out to do. And damn it, we’ve done a good job.”