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Ampersands

Over at H&FJ, the H talks about the &.

As both its function and form suggest, the ampersand is a written contraction of "et," the Latin word for "and." Its shape has evolved continuously since its introduction, and while some ampersands are still manifestly e-t ligatures, others merely hint at this origin, sometimes in very oblique ways.

He goes on to describe several ampersands they've designed for their typefaces. When designing the ampersand for Silkscreen, I came up with a solution that many continue to dislike:

Silkscreen Ampersand

If you're logged in to Flickr, you can see it action at a more appropriate size in the "prints & more" label above a photo. The symbol is basically a capital E with a vertical line through the middle...an e-t ligature that's really more of an overstrike. I fashioned it after the way I hand-write my ampersand, which I got from my dad's handwriting1. I don't know where he got it from; it's not a common way to represent that symbol, although I did find a few instances in the list of fonts installed on my computer.

I didn't think about this way at the time, but the odd ampersand is one of the few distinguishing features of Silkscreen. There's only so many ways you can draw letterforms in a 5x5 pixel space so a lot of the bitmap fonts like Silkscreen end up looking very similar. The ampersand gives it a bit of needed individuality. (The 4 is the other oddish character...it's open at the top instead of diagonally closed.)

[1] Now that I think about it, I borrowed several aspects from my dad's handwriting. I write my 7s with a bar (to distinguish them from 1s), my 8s as two separate circles rather than a figure-eight stroke, and my 4s with the open top. Oh, and a messy signature.

Jonathan Hoefler on how a joke version of OCR-A with swashes came about...and then ended up in an issue of Rolling Stone.

I tacked this specimen of Estupido Espezial!!! to my wall, where it immediately became a litmus test for visitors. Most people would say nothing, but woe be unto anyone who admired the thing in earnest: "hey, cool font!" would immediately land any visitor on the Suspicious Persons list. The best were those who would stare for a moment with bafflement before bursting out laughing, a few of whom became good friends, good clients, or both.

Robots need type too.

Short video piece about fonts and typography, featuring Steven Heller, Jonathan Hoefler, Tobias Frere-Jones. (via quipsologies)

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