The NY Times gets all nostalgic about VHS and the upcoming releases of Be Kind Rewind and Son of Rambow.
The generation that came of age in the '80s, as the VCR was becoming a staple, is especially prone to VHS nostalgia, a manifestation of the broader retro culture that has accounted for untold hours of programming on VH1.
In December, Adam Lisagor wrote a similar piece on VHS nostalgia and the movies for kottke.org:
But for a generation of filmmakers who cut their filmmaker teeth by shooting with the family camcorder and editing with two VCRs, there is a logical fixation with the object of the plastic and magnetic 1/2" VHS videocassette and the visual artifacts of its recorded image.
People who know me know that part of my charm is how wrong I tend to do things. Raleigh St. Clair could write books on my horrid sense of direction (I couldn't tell you how to drive to my favorite restaurant yet I'm a totally awesome driver, curiously). Yesterday I made out-of-the-box mac n' cheese but ruined it so royally I ended up dumping it and having an ice cream cone for lunch (no ice cream - just the cone).
So what the hell am doing guest-writing for this man, this hero of the web whom I so admire? I'd been toying with the idea of referring to Mr. Kottke only as 'Cousin Jason' hoping this would remove any doubt as to how I'd been put up to the task. But no, we're not related. If we were, I'd have an easier time backing out at the last minute.
You may think, "Well, here you are, these are your words on the kottke blog, so you must've done something right." I wouldn't be so sure of that. But we'll see if I can't class this place up a bit while Mr. Kottke maintains his undercarriage.
For the next week, Adam Lisagor is going to be helping me out with kottke.org as I spend the week working on the site's undercarriage, performing some long-overdue maintenance and (hopefully) finishing a couple of projects begun long ago during the Golden Age of Weblogs. As it happens, Adam worked on The Day After Tomorrow, one of my favorite movies of all time. Seriously, Adam really worked on The Day After Tomorrow and, seriously, The Day After Tomorrow is one of my favorite movies of all time. (Seriously! I've seen it like 20 times.)
You may know (or get to know) Adam from the iPhone cut and paste demo video he did, his tumblelog lonelysandwich, or his Merlin Mann-recommended Twitter stream. He lives somewhere in California, which I'm told is a requirement for working on movies. But enough of that from me...I'll let Adam introduce himself tomorrow morning before he gets going. Welcome, Adam!
