Advertise here with Carbon Ads

This site is made possible by member support. ❤️

Big thanks to Arcustech for hosting the site and offering amazing tech support.

When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!

kottke.org. home of fine hypertext products since 1998.

🍔  💀  📸  😭  🕳️  🤠  🎬  🥔

kottke.org posts about Visitors

Visitors

Here’s the trailer for Visitors, a new film from Koyaanisqatsi collaborators Godfrey Reggio and Philip Glass. Most of the trailer consists of a single two-minute shot.

That shot reminds me of many things: Andy Warhol, long photos, James Nares’ Street, and Robbie Cooper’s work depicting kids playing video games.

Also interesting is that Visitors is comprised of only 74 shots, which with a runtime of 87 minutes means the average shot lasts over a minute. According to a recent investigation by Adam Jameson, an ASL (average shot length) of more than a minute is unusual in contemporary film. Inception, for instance, has a ASL of just 3.1 seconds and even a film like Drive, with many long shots, has an ASL of 7 seconds. But as Jameson notes, Alfonso Cuarón’s upcoming Gravity contains only 156 shots, including a 17-minute-long shot that opens the film. But the Hollywood master of long-running shots? Hitchcock, I presume:

1. Rope (1948, Alfred Hitchcock), ASL = 433.9 [seconds]

OK, this isn’t a recent recent film, but it has to be noted, as it’s most likely the highest ASL in Hollywood. Hitchcock used only 10 shots in making it (the film’s Wikipedia page lists them). (As you probably know, Hitchcock designed those shots, then edited them such that the finished film appeared to be a single take.)