HBO has released a teaser trailer for season two of True Detective. Los Angeles is swapped in for Louisiana, Colin Farrell and Vince Vaughn for Woody Harrelson and Matthew McConaughey, and Justin Lin directing instead of Cary Fukunaga. It’s an entirely different show.
Here’s the synopsis from HBO:
A bizarre murder brings together three law-enforcement officers and a career criminal, each of whom must navigate a web of conspiracy and betrayal in the scorched landscapes of California. Colin Farrell is Ray Velcoro, a compromised detective in the all-industrial City of Vinci, LA County. Vince Vaughn plays Frank Semyon, a criminal and entrepreneur in danger of losing his life’s work, while his wife and closest ally (Kelly Reilly), struggles with his choices and her own. Rachel McAdams is Ani Bezzerides, a Ventura County Sheriff’s detective often at odds with the system she serves, while Taylor Kitsch plays Paul Woodrugh, a war veteran and motorcycle cop for the California Highway Patrol who discovers a crime scene which triggers an investigation involving three law enforcement groups, multiple criminal collusions, and billions of dollars.
Update: And here’s a second trailer with a little more info:
We’ve also got a premiere date: June 21.
Now that I’ve caught up on True Detective, I have to agree with Emily Nussbaum’s take on the show and finale: a stylish well-acted show with a “hollow center”.
To state the obvious: while the male detectives of “True Detective” are avenging women and children, and bro-bonding over “crazy pussy,” every live woman they meet is paper-thin. Wives and sluts and daughters — none with any interior life. Instead of an ensemble, “True Detective” has just two characters, the family-man adulterer Marty, who seems like a real and flawed person (and a reasonably interesting asshole, in Harrelson’s strong performance), and Rust, who is a macho fantasy straight out of Carlos Castaneda. A sinewy weirdo with a tragic past, Rust delivers arias of philosophy, a mash-up of Nietzsche, Lovecraft, and the nihilist horror writer Thomas Ligotti. At first, this buddy pairing seems like a funky dialectic: when Rust rants, Marty rolls his eyes. But, six episodes in, I’ve come to suspect that the show is dead serious about this dude. Rust is a heretic with a heart of gold. He’s our fetish object — the cop who keeps digging when everyone ignores the truth, the action hero who rescues children in the midst of violent chaos, the outsider with painful secrets and harsh truths and nice arms. McConaughey gives an exciting performance (in Grantland, Andy Greenwald aptly called him “a rubber band wrapped tight around a razor blade”), but his rap is premium baloney. And everyone around these cops, male or female, is a dark-drama cliche, from the coked-up dealers and the sinister preachers to that curvy corpse in her antlers. “True Detective” has some tangy dialogue (“You are the Michael Jordan of being a son of a bitch”) and it can whip up an ominous atmosphere, rippling with hints of psychedelia, but these strengths finally dissipate, because it’s so solipsistically focussed on the phony duet.
I enjoyed the show and am seated in the McConaissance cheering section, but True Detective is far from TV’s best thing evar. And Nussbaum hits the nail right on the head: the lack of good women characters is to blame.
Something I’ve noticed about my favorite TV shows: they are mostly testosterone fests where the women are more interesting than the men. Mad Men is the perfect example. Game of Thrones is another. And Six Feet Under. Even in Deadwood, which I am rewatching now and is loads better than True Detective, women more than hold their own against the men. It’s fun to watch the men on these series generate bullshit, but it’s much more interesting to watch the great actresses who play these women navigate and elevate through the predictable male privilege.