kottke.org posts about Tavi Gevinson

Tavi interviews LordeJan 03 2014

We may not have our jetpacks and hover cars, but our future-now has given us Tavi Gevinson interviewing Lorde and that's just as good.

Tavi: On that note, you have a very unique way of looking at the suburb where you live, which I think you've called "the Bubble." When did you realize the suburbs could be a source of inspiration?

Lorde: Well...this sounds so lame, but I grew up reading your blog, man! [Laughs]

Tavi: Oh no! "Ugh, that's so LAME, shut up!"

Lorde: [Laughs] But no, I think there is something really cool about that whole Virgin Suicides vibe of making even the bad parts bearable. I hate high school so much, but there's something kind of cool about walking around on the coldest day listening to "Lindisfarne" by James Blake or something and feeling like something has happened, even though it's the worst thing ever. The album The Suburbs by Arcade Fire was influential to me in that as way well. I just think that record is really beautiful and nostalgic and so well-written. It's a super-direct way of talking about what it's like to grow up [in the suburbs], and I think that's quite lovely.

You're asking about stuff I'm not used to talking about in interviews, so I don't have a stock way of driving the question.

Tavi: OK, then: "Do you feel 17?"

Lorde: AGHHHH! What do you even say to that, honestly?

Tavi: It's kind of a trap, because if you say yes you're shitting on their question by making it seem obvious, but if you say no you seem like you think you're older and better.

Lorde: I always get these weird people being like, "Oh, she's growing up way too fast, she looks 30." Oh, god.

Tavi: People always say that. I remember -- not to be all Mother Hen --

Lorde: No, go for it!

Tavi: I remember when people started paying attention to what I was doing, and it was like, "She should be getting knocked up like all the other kids her age!" It's like, you complain when you think teenagers are stupid, and then when they try to do something, you're all, "Oh, they're growing up too fast, they don't know what's good for them."

Lorde: It seems like a double standard to me. And there's another part of it which I find really strange, which is that so many interviewers, even ones that I consider really intelligent and good writers, will do the, like, "Oh, you're not taking your clothes off like Miley Cyrus and all these girls" thing, which to me is just the weirdest thing to say to someone. But then people will say, "She's always talking about being bored, that's petulant," which I feel like is kind of taking the piss out of teenage emotions-just, like, making light of how teenagers feel. When people react that way about things that every teenager experiences, how can you expect to make anything good?

Zuckerberg and Style Rookie and DysonSep 13 2010

The New Yorker has a trio of interesting articles in their most recent issue for the discerning web/technology lady or gentlemen. First is a lengthy profile of Mark Zuckerberg, the quite private CEO of Facebook who doesn't believe in privacy.

Zuckerberg may seem like an over-sharer in the age of over-sharing. But that's kind of the point. Zuckerberg's business model depends on our shifting notions of privacy, revelation, and sheer self-display. The more that people are willing to put online, the more money his site can make from advertisers. Happily for him, and the prospects of his eventual fortune, his business interests align perfectly with his personal philosophy. In the bio section of his page, Zuckerberg writes simply, "I'm trying to make the world a more open place."

The second is a profile of Tavi Gevinson (sub. required), who you may know as the youngster behind Style Rookie.

Tavi has an eye for frumpy, "Grey Gardens"-inspired clothes and for arch accessories, and her taste in designers runs toward the cerebral. From the beginning, her blog had an element of mystery: is it for real? And how did a thirteen-year-old suburban kid develop such a singular look? Her readership quickly grew to fifty thousand daily viewers and won the ear of major designers.

And C, John Seabrook has a profile of James Dyson (sub. required), he of the unusual vacuum cleaners, unusual hand dryers, and the unusual air-circulating fan.

In the fall of 2002, the British inventor James Dyson entered the U.S. market with an upright vacuum cleaner, the Dyson DC07. Dyson was the product's designer, engineer, manufacturer, and pitchman. The price was three hundred and ninety-nine dollars. Not only did the Dyson cost much more than most machines sold at retail but it was made almost entirely out of plastic. In the most perverse design decision of all, Dyson let you see the dirt as you collected it, in a clear plastic bin in the machine's midsection.

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