People waiting in line for food in the Soviet Union in the late 1980s:
The opening day line for the newest outpost of the Shake Shack in Moscow:
That’s nothing, though, compared to the line to get into the first McDonald’s in the Soviet Union, which opened in Moscow in 1990.
A year later in Moscow, an estimated 1.6 million people turned out to see Metallica in concert. Look at all those people:
How appropriate that at the height of the Cold War, in which the United States was attempting to spend the Soviet Union into collapse (a task at which they eventually succeeded), the Soviets cloned the buggiest, most inconsistant part of the US space program.
Called Buran (Russian for blizzard or snowstorm), the program was launched by the Kremlin as a reaction to NASA’s space shuttle and an attempt to gain an edge in space against the backdrop of Ronald Reagan’s “Star Wars” Strategic Defense Initiative. It was also an attempt to fulfill the Soviet Union’s dream of reusable spacecraft and payloads, ideas that predated the American space program.
A massive effort began. Over a million and a half people worked on the multi-billion dollar project, while researchers developed new, elaborate schemes for Russian space exploration. Among other tasks, Russian scientists hoped that the Buran would be able to carry the space station back to Earth, and — the reported reason for its inception — to allow the USSR to carry out military attacks from space.
And from Maciej Ceglowski’s epic takedown of the Shuttle program, this little tidbit:
The Soviet Shuttle, the Buran (snowstorm) was an aerodynamic clone of the American orbiter, but incorporated many original features that had been considered and rejected for the American program, such as all-liquid rocket boosters, jet engines, ejection seats and an unmanned flight capability. You know you’re in trouble when the Russians are adding safety features to your design.
From what I can tell, the Museum of Soviet arcade machines is an actual physical museum in Moscow but you can also play one of the games (called Morskoi Boi) online. The museum has around 40 machines, about half of which are playable, including Repka, Safary, Vozdushniy Boi, Duplet, and Snezhnaya Koroleva.
The standard form of Soviet war correspondence during WWII were letters folded into a triangular shape.
During the war, the mails were brought for free from the front to home. It could not have been differently, because probably the postage stamps would have been the last item the halting logistic support would have delivered to the front. Even so, postcards and envelopes were shortages. The soldiers’ genius has thus created, right in the first months of the war, the format that was a letter and its own envelope in one. The folding process is very similar to how we, in our childhood, folded our soldier’s shako, knowing nothing about the triangular soldier’s letters.
The following is a great 2004 BBC documentary about Tetris, the man who created it, and the lengths that several companies went to in order to procure the rights to distribute it. Tetris - From Russia With Love:
Alexey Pazhitnov, a computer programmer from Moscow, created Tetris in 1985 but as the Soviet Union was Communist and all, the state owned the game and any rights to it. Who procured the rights from whom on the other side of the Iron Curtain became the basis of legal wranglings and lawsuits; the Atari/Nintendo battle over Tetris wasn’t settled until 1993. There’s an abbreviated version of the story, but the documentary is a lot more fun. A rare copy of the Tengen version of Tetris, which was pulled from the shelves due to legal troubles, is available on eBay for around $50.