Netflix will air a Christmas special starring Bill Murray and directed by Sofia Coppola. That is an amazing collection of proper nouns all together in the same sentence.
Written by Sofia Coppola, Bill Murray and Mitch Glazer and directed by Sofia Coppola, A Very Murray Christmas is described as an homage to the classic variety show featuring Bill Murray playing himself, as he worries no one will show up to his TV show due to a terrible snow storm in New York City. Through luck and perseverance, guests arrive at the Carlyle hotel to help him; dancing and singing in holiday spirit.
(via several kind people)
Bill Murray made an absolutely fantastic speech at the National Board of Review Awards last night when introducing Sofia Coppola.
They told me I have two minutes. I’m going to pop this Red Hot [candy, pops in mouth] so I’ll be finished in two minutes [mumbling with candy in mouth]. Why do you give this award? Why? Because you have to throw a party. Because you have to compete with the Golden Globes. [Cheers.] We all asked that question. You’re able to get out tonight, celebrate - without your relatives - you earned, you deserve it.
But why do you give it to Sofia Coppola? Why? Because you want to encourage her, I think. I think that’s the real reason. Look at her. Look at her! She comes from a family, mother and father both very successful, creating entertainments, amusements and thought-provoking work. She wrote a spec script for The Virgin Suicides. The ambition of these young people! Can you believe it? The ambition! She got the job as the director. She directed Lost in Translation in another country in another language, and got a prize for it. [Pause.] God, this is a hot, hot Red Hot. But I’m not going to quit on you people, because I’ve got another half in my pocket. [Pulls out of pocket and puts in mouth.] I got one-and-a-half in my mouth right now. [Mumbling.]
And the whole bit about life and success and freedom derailing careers and creative work is just spot on gold. (thx, david)
Somewhere is an upcoming film from Sofia Coppola; here’s the trailer.
Writer/director Sofia Coppola reunites with the film company with which she made the Academy Award-winning hit “Lost in Translation.” Her new film is an intimate story set in contemporary Los Angeles; Johnny Marco (Stephen Dorff) is a bad-boy actor stumbling through a life of excess at the Chateau Marmont Hotel in Hollywood. With an unexpected visit from his 11-year-old daughter (Elle Fanning), Johnny is forced to look at the questions we must all confront.
As one of the few people who enjoyed Marie Antoinette, I’m of course looking forward to this. (via df)
Wes Anderson and the movies he makes are racist. Point. Point. Counterpoint. Reminds me of the hubbub about the alleged racism in Sofia Coppola’s Lost in Translation.
The soundtrack for Sofia Coppola’s Marie Antoinette contains tracks by Aphex Twin, Siouxsie & The Banshees, Squarepusher, and The Strokes. Boy, people are either going to love or hate this movie.
Why does it take Wes Anderson (and Sofia Coppola and Spike Jonze and PT Anderson and…) so long to make a movie? “The Eccentrics seem to be guarding their personal ideas so jealously that it sometimes suggests a creative block. The eternity of anticipation has frustrated those film lovers who look to certain artists to provide the Great American Movie.” Slate also has a review of Wes Anderson’s great Amex commerical.
Trailer for Sofia Coppola’s Marie Antoinette, complete with indie rock soundtrack. Juxapositionally delicious!