For the past year and a half, Casey Neistat has been putting out a daily 10-minute video blog about his day. After more than 500 episodes, Neistat announced that he’s hanging up his vblogging spurs to pursue other projects. In his final video, he discusses the complacency of success and the difficulty of advancing your career without taking creative risks, something many of us can identify with.
What [the vlog] hasn’t been doing is challenging me. It hasn’t been the creative fistfight that I want and need every single day.
I’m definitely a fan and can’t wait to see what he comes up with next.
Update: Ah, well that explains it: CNN Acquires Social-Video Startup Beme, Co-Founded by YouTube Star Casey Neistat.
CNN has acquired video-sharing app startup Beme, co-founded by popular YouTube creator Casey Neistat and Matt Hackett, and will invest in the team to launch a new standalone media brand.
Terms of the deal were not disclosed. CNN said the new venture that it’s forming out of the acquisition - aimed at reaching millennial viewers with the street cred of Neistat’s reporting and commentary - will launch in the summer of 2017. All 11 of Beme’s employees will join CNN; the cable news network will be shutting down Beme, which had garnered more than 1 million downloads.
Isabelle Mège does not call herself an artist, but she has nonetheless been working on an interesting project for the last 30 years. Mège contacts photographers she likes and asks them to incorporate her into their work, keeping a copy of each photograph afterwards. She has over 300 photographs and has curated 135 of them into what she calls “the collection”.
After each shoot, Mège would follow up and ask the artist for a print, signed and sometimes numbered by its edition. The print would go into her archive, along with any artifacts related to its making; Elkoury’s letter, for instance, is accompanied in the archive by Mège’s notes about their encounter (he was late to their first meeting, and arrived with his shoelaces untied). Also in her archive are the heels that Witkin attached to her feet during the 1990 shoot, and a news item about Japanese customs having seized incoming copies of the magazine ARTnews to prohibit their circulation; the photograph, in which Mège’s pubic hair is visible, was considered obscene. Her diarizing and collection of correspondence, clippings, image reproductions, and relevant items reveal that the planning around certain images often lasted years. Several times, having worked with an artist to make an image, she was unhappy with the results and excluded it from her collection. When approached by artists who wanted to work with her but for whose work she had no feeling, she refused.
Mège felt strongly that no money should be exchanged in these interactions. (“As soon as there’s a question of payment, it’s dead, you fall asleep,” she told me.) She also asked each artist to sign a contract printed on a three-inch slip of paper, stating that she would have the right to exhibit or publish the image for noncommercial reasons only.
Mège’s project fits neatly into contemporary selfie culture. Her collection reminds me of other creative people who have incorporated themselves into their media of behalf of someone or something else. Call them “selfie auteurs”. Adam Lisagor has starred in many of the videos his company makes for tech clients. Casey Neistat films himself going on adventures for clients like J. Crew and Nike. Noah Kalina was commissioned by VH1 to take photos of himself posing with celebrities in his Everyday stance. I’m sure there are many more examples1 but few have done it as cleanly and purely as Mège.
Evan Puschak does a good job of explaining why Casey Neistat’s videos are so entertaining: a combination of seeming amateurism and professionally honed skills in storytelling & video production. I don’t keep up with them regularly, but I love Neistat’s videos. He is definitely among a handful of video producers who have developed genuinely potent forms of video entertainment in the age of YouTube.
Just as he did a couple of years ago, Casey Neistat busted out his board yesterday and went snowboarding behind a 4WD Jeep in the blizzard covered streets of Manhattan. (thx, david)
Casey Neistat visited several Apple Stores in NYC on the eve of the iPhone 6 launch to observe the folks standing in line. He found that many of those in line, particularly right in the front, were Chinese resellers.
The iPhone 6 won’t be available in China for several months, so a lively and lucrative black market has sprung up. The video shows several typical transactions: two phones (the maximum allowed per person) are purchased with cash and then the people sell those phones to men who presumably have them shipped to China for resale.
I remember last year, when the iPhone 5s came out, there was always a line of mostly Asian people outside the Soho store in the morning, even months after the launch. (via @fromedome)
In his new video, Casey Neistat and his son visit a German waterpark housed in a giant former airship hangar.
Some information on the structure from the waterpark’s web site:
The Tropical Islands Dome is gigantic. In fact, it is the largest free-standing hall in the world: 360 metres long, 210 metres wide and an incredible 107 metres high.
That is big enough to fit the Statue of Liberty in standing up and the Eiffel Tower lying on its side. The Tropical Islands Dome covers an area of 66,000 m², the size of eight football fields. And it is high enough to fit in the whole of Berlin’s Potsdamer Platz, with all its skyscrapers.
(via john hodgman)
This is fucking great and crazy…when the snow hit NYC yesterday, Casey Neistat grabbed his snowboard and went snowboarding behind a Jeep in the East Village.
Casey Neistat tries to steal his own bike in several locations around NYC and finds it’s pretty easy…even if you’re doing so right in front of a police station.
I recently spent a couple of days conducting a bike theft experiment, which I first tried with my brother Van in 2005. I locked my own bike up and then proceeded to steal it, using brazen means — like a giant crowbar — in audacious locations, including directly in front of a police station. I wanted to find out whether onlookers or the cops would intervene. What you see here in my film are the results.
This is a video of the earlier attempt he mentions. (via ★ironicsans)