Peter Schjeldahl, in a harsh review of graphic novels for the New Yorker (with particular contempt for Harvey Pekar), suggests that the artistic breakthrough of graphic novels has occurred, been recognized, and "that a process of increasingly strained emulation and diminishing returns has set in", citing Chris Ware's Jimmy Corrigan as the form's peak. Here's a positive review of Ware's newest collection.
This entry was published on October 13, 2005 at 10:56 am.
Tags for this entry: newyorker graphicnovels comics chrisware jimmycorrigan harveypekar peterschjeldahl
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