After writing The Cat in the Hat in 1955 using only 223 words, Dr. Seuss bet his publisher that he could write a book using only 50 words. Seuss collected on the wager in 1960 with the publication of Green Eggs and Ham. Here are the 50 distinct words used in the book:
a am and anywhere are be boat box car could dark do eat eggs fox goat good green ham here house I if in let like may me mouse not on or rain Sam say see so thank that the them there they train tree try will with would you
From a programming perspective, one of the fun things about Green Eggs and Ham is because the text contains so little information repeated in a cumulative tale, the story could be more efficiently represented as an algorithm. A simple loop would take the place of the following excerpt:
I do not like them in a box.
I do not like them with a fox.
I do not like them in a house.
I do not like them with a mouse.
I do not like them here or there.
I do not like them anywhere.
I do not like green eggs and ham.
I do not like them, Sam I am.
But I don't know...
foreach ($items as $value) doesn't quite have the same sense of poetry as the original Seuss.
Robert Greene, author of The 48 Laws of Power, which has been influential in both halls of business and hip-hop circles, has written a new book with rapper 50 Cent called The 50th Law. Greene was initially skeptical of 50 Cent as a co-author but was impressed by their initial meeting.
He was in the midst of a power struggle with a rival rapper and he talked quite openly about the strategies he was employing, including mistakes he had made along the way. He analyzed his own actions with detachment, as if he were talking about another person. Over the last few years he had witnessed a lot of nasty maneuvering within the music business, and he seemed to want to discuss this with somebody from the outside. He was not interested in myths but reality. Contrary to his public persona, he had a Zen-like calmness that impressed me.
The main theme of the book is about fear and "the reverse power that you can obtain by overcoming [it]".
We found stories from his own life that would illustrate these ideas, many of them culled from his days as a hustler and even highlighting mistakes along the way that taught him valuable lessons. Later, from my own research, I would bring in examples from other historical figures who exemplified this trait. Many of them would be African Americans--Frederick Douglass, James Baldwin, Miles Davis, Malcolm X, Hurricane Carter, et al--whose fearless quality was forged by their harsh struggles against racism. Others would come from all periods and cultures--the Stoics, Joan of Arc, JFK, Leonardo da Vinci, Mao tse-tung, and so on.
Speaking of PBS shows, Steven Johnson's How We Got to Now starts on PBS tonight with two back-to-back episodes. The NY Times has a positive review.
The opening episode, for instance, is called "Clean," and it sets the pattern for the five that follow. We tend not to acknowledge just how recent some of the trends and comforts of modern life are, including the luxury of not walking through horse manure and human waste on the way to the post office.
The episode turns back the clock just a century and a half, to a time before our liquid waste stream was largely contained in underground pipes. Mr. Johnson then traces the emergence of the idea that with a little effort, cities and towns could have a cleaner existence, and the concurrent idea that cleanliness would have public health benefits.
But his examination of "the ultraclean revolution," as he calls it, doesn't stop at the construction of sewage and water-purification systems. He extends the thread all the way to the computer revolution, visiting a laboratory where microchips are made.
The show is based on Johnson's book of the same name, which enters the NY Times bestseller list at #4 this week. Also, I keep wanting to call the book/show How We Got to Know, which strikes me as a perfectly appropriate title as well.
Update: The first two episodes are available online until 10/30.
How have I never seen this photo before?
The Shawshank Redemption came out 20 years ago and promptly bombed. Now it's one of the most popular movies of all time. Here's how it came to be made.
Filming on location is often something to be endured, and Shawshank's schedule was particularly brutal: workdays were 15 to 18 hours, six days a week, over three humid months inside the former Ohio State Reformatory, in Mansfield, and on nearby constructed sets, which included the huge cellblock. "We were lucky to have Sundays off," says Darabont.
A bakery in Mansfield now sells Bundt-cake replicas of the Gothic prison, which these days is a tourist attraction that draws Shawshank pilgrims. But in 1993 the defunct penitentiary-closed three years earlier for inhumane living conditions-"was a very bleak place," according to Darabont. Robbins adds, "You could feel the pain. It was the pain of thousands of people." The production employed former inmates who shared personal stories similar to those in Shawshank's script, "in terms of the violence of the guards and throwing people off the top of cellblocks," says Deakins.
Robbins remembers "going to that place inside for three months. It was never depressing, because Andy had this hope inside. But it was, at times, dark because of the situations that the character goes through." Deakins confirms that working on the film was "a very intense situation. Sometimes the performances really affected me while I was shooting it." The scene that gave Deakins "a tingle down the spine" is also Robbins's favorite: the prisoners drinking beer on the sunny license-plate-factory roof. Coming more than a half an hour into the movie-and two years into Andy's sentence-it's the first bright spot in a film heretofore gray in palette and tone. Andy risks being thrown off the roof by Captain Hadley in order to procure a few "suds" for his fellow prisoners-a moment when the character shifts from victim to burgeoning legend. That Andy himself doesn't drink is beside the point.
The scene was shot over a "hard, hard day," says Freeman. "We were actually tarring that roof. And tar doesn't stay hot and viscous long. It tends to dry and harden, so you're really working. For the different setups you had to keep doing it over and over and over and over and over."
I was one of the few who saw Shawshank in the theater (I watched at least two or three movies a week back in those days) and loved it immediately. (via @aaroncoleman0)
For the past year, Joanna Goddard has been running a series on her blog called Motherhood Around the World. The goal of the series was to tease out how parenting in other countries is different than parenting in the US. From the introduction to the series:
We spoke to American mothers abroad -- versus mothers who were born and bred in those countries -- because we wanted to hear how motherhood around the world compared and contrasted with motherhood in America. It can be surprisingly hard to realize what's unique about your own country ("don't all kids eat snails?"), and it's much easier to identify differences as an outsider.
The results, as Goddard states upfront, are not broadly representative of parenting in the different countries but they are fascinating nonetheless. I've picked out a few representative bits below. On parenting in Norway:
Both my kids attended Barnehage (Norwegian for "children's garden"), which is basically Norwegian pre-school and daycare. Most kids here start Barnehage when they're one year old -- it's subsidized by the government to encourage people to go back to work. You pay $300 a month and your kids can stay from 8am to 5pm. They spend a ton of time outside, mostly playing and exploring nature. At some Barnehage, they only go inside if it's colder than 14 degrees. They even eat outdoors-with their gloves on! When I was worried about my son being cold, my father-in-law said, "It's good for him to freeze a little bit on his fingers." That's very Norwegian -- hard things are good for you.
The Democratic Republic of Congo:
No one thinks twice here about sharing breastmilk. Why let something so valuable go to waste? Not long after my second daughter was born, I went on a work trip to Kenya. I pumped the whole time I was there and couldn't bear to throw away my breast milk, nor imagine the nightmare scenario of leakage in my luggage. So I saved it all up in the hotel fridge in Ziploc bags. On the day I left, I took all the little bags to the local market and said, "All right, ladies. Who's got babies and wants breast milk?!" Not a single Kenyan woman at the market thought twice about taking a random white woman's breast milk. My driver even heard I was handing out milk and asked if I could pump some extra to take home to his new baby.
There are no car seat or seatbelt laws here. You will regularly see toddlers with their heads peeking out of sunroofs or moms holding their infants in the front seat. The government and the car companies are trying to educate people about the dangers, but the most locals (Emiratis as well as people from countries like India and Egypt) believe that a mother's arms are the safest place for her child.
In a country in which space comes at such a premium, few parents would dream of allocating a separate room for each child. Co-sleeping is the norm here, regardless of class. Children will usually sleep with their parents or their ayah until they are at least six or seven. An American friend of mine put her son in his own room, and her Indian babysitter was aghast. The young children from middle class Indian families I know also go to sleep whenever their parents do -- often as late as 11pm. Our son sleeps in our bed, as well. He has a shoebox of a room in our house where we keep his clothes and crib, and he always starts the night in there, falling asleep around 8pm. That way Chris and I get a few hours to ourselves. Then, around 11pm, Will somehow senses that we are about to fall asleep and calls out to come to our bed. It's like clockwork, and he falls right back into a deep sleep the second his head hits the pillow.
On sleep camps: Government-subsidized programs help parents teach their babies to sleep. I haven't been to one (though I did consider it when we were in the middle of sleep hell with our daughter) but many of my friends have. The sleep camps are centers, usually attached to a hospital, that are run by nurses. Most mums I know went when their babies were around six or seven months old. You go for five days and four nights, and they put you and your baby on a strict schedule of feeding, napping and sleeping. If you're really desperate for sleep, you also have the option of having a nurse handle your baby for the whole first night so you can sleep, but after that you spend the next few nights with your baby overnight while the nurses show you what to do. They use controlled crying and other techniques. I have friends who say it saved their lives, friends who left feeling "meh" about the whole thing, and a friend who left after a day because, in her words, "they left my baby in a cupboard to cry."
Giving treats to children is seen as a sign of affection, so strangers will offer candy to kids on the street. I'll sometimes turn around and a stranger will be handing my daughter a chocolate bar! Several months ago, we were on a bus, and a woman near us was eating cookies. She saw my daughter Mia and said "Oh, let me give you some cookies." I said, "No, thank you." But she kept on insisting. Then, a random stranger, who was not even connected to the first woman, chimed in, "You should give your daughter the cookies!" They were very serious about it! I was frustrated at the time, but after the fact I found it funny.
And then more recently, they talked to a group of foreign mothers about how parenting in the US differs from the rest of the world. For one thing, there's the babyproofing:
Here in the U.S., there is a huge "baby industry," which does not exist in Romania. There's special baby food, special baby utensils, special baby safety precautions and special baby furniture. In Romania, children eat with a regular teaspoon and drink from a regular glass. They play with toys that are not specifically made for "brain development from months 3-6." Also, before I came here, I had never heard of babyproofing! Now I'm constantly worried about my daughter hurting herself, but my mom and friends from home just laugh at me and my obsession that bookshelves might fall.
And the more permissive and involved parenting:
I was surprised that American children as young as one year old learn to say please, thank you, sorry and excuse me. Those things are not actively taught in India. Another difference is how parents here tend to stay away from "because I said so" and actually explain things to their children. It's admirable the way parents will go into basic reasoning to let the child know why some things are the way they are. When I last visited Bombay, I explained to my then four-year-old about that we couldn't buy too many things because of weight restrictions in the flight, etc. My relatives were genuinely wondering why I didn't just stop at "no."
Like I said, the whole series is fascinating...I could easily see this being a book or documentary (along the lines of Babies).
In a local Chicago TV segment from 1980, here's film critic Gene Siskel reviewing The Empire Strikes Back.
Interesting that he spends most of his time commenting on the special effects. At the time of this review, Siskel had been doing a show with Roger Ebert called Sneak Previews, but they seemed to have missed reviewing the original Star Wars or Empire on the show. Ebert reviewed Empire in 1997, giving it four stars and calling it "the best of the three Star Wars films".
"The Empire Strikes Back" is the best of three Star Wars films, and the most thought-provoking. After the space opera cheerfulness of the original film, this one plunges into darkness and even despair, and surrenders more completely to the underlying mystery of the story. It is because of the emotions stirred in "Empire" that the entire series takes on a mythic quality that resonates back to the first and ahead to the third. This is the heart.
The film was made in 1980 with full knowledge that "Star Wars" had become the most successful movie of all time. If corners were cut in the first film's budget, no cost was spared in this one: It is a visual extravaganza from beginning to end, one of the most visionary and inventive of all films.
Lockheed Martin is in the process of developing a compact fusion reactor they say could revolutionize the world's energy industry.
Dubbed the compact fusion reactor (CFR), the device is conceptually safer, cleaner and more powerful than much larger, current nuclear systems that rely on fission, the process of splitting atoms to release energy. Crucially, by being "compact," Lockheed believes its scalable concept will also be small and practical enough for applications ranging from interplanetary spacecraft and commercial ships to city power stations. It may even revive the concept of large, nuclear-powered aircraft that virtually never require refueling-ideas of which were largely abandoned more than 50 years ago because of the dangers and complexities involved with nuclear fission reactors.
The key difference in Lockheed's approach seems to be the configuration of the magnetic field containing the reaction:
The CFR will avoid these issues by tackling plasma confinement in a radically different way. Instead of constraining the plasma within tubular rings, a series of superconducting coils will generate a new magnetic-field geometry in which the plasma is held within the broader confines of the entire reaction chamber. Superconducting magnets within the coils will generate a magnetic field around the outer border of the chamber. "So for us, instead of a bike tire expanding into air, we have something more like a tube that expands into an ever-stronger wall," McGuire says. The system is therefore regulated by a self-tuning feedback mechanism, whereby the farther out the plasma goes, the stronger the magnetic field pushes back to contain it. The CFR is expected to have a beta limit ratio of one. "We should be able to go to 100% or beyond," he adds.
Charles Seife, who wrote a book about the history of fusion, is skeptical of Lockheed's claims.
This week, Lockheed Martin supposedly managed to achieve a "breakthrough" in nuclear fusion that has gotten a lot of media attention. As Charles Seife points out, it did so "without having built a prototype device that, you know, fuses things on an appreciable scale. It's a stunning assertion, even by fusion-research standards. But a quick look at the defense contractor's ambitious plan-a working reactor in five years-already shows the dream fraying around the edges. A year and a half ago, the company promised that fusion was four years away, meaning that the schedule is already slipping. Negative one years of progress in 20 months is, sadly, business as usual for fusion. At this rate, it'll take Lockheed Martin at least a decade before the natural endpoint: desperately spinning victory out of an underwhelming result generated by a machine whose performance comes nowhere near predictions-and which brings us no closer to actually generating energy from a fusion reaction."
In 2011, Steven Soderbergh revealed he'd repeatedly watched Raiders of the Lost Ark in black & white. Now he's released a full-length version of the film in b&w, with no dialogue and an alternate soundtrack (Reznor and Ross's score to The Social Network) so that you can focus on how the film is constructed visually.
So I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot -- whether short or long -- held for that exact length of time and placed in that order? Sounds like fun, right? It actually is. To me. Oh, and I've removed all sound and color from the film, apart from a score designed to aid you in your quest to just study the visual staging aspect. Wait, WHAT? HOW COULD YOU DO THIS? Well, I'm not saying I'm like, ALLOWED to do this, I'm just saying this is what I do when I try to learn about staging, and this filmmaker forgot more about staging by the time he made his first feature than I know to this day (for example, no matter how fast the cuts come, you always know exactly where you are -- that's high level visual math shit).
Watch and listen as Anna-Maria Hefele demonstrates polyphonic overtone singing, a technique where it sounds as though she's singing two different notes at the same time.
This blew my mind a little, particularly starting around the 3:00 mark, where she actually starts to be more fluid in her singing. (via @anotherny)
Update: See also Tuvan throat singing, Inuk throat singer Tanya Tagaq (who posted a photo online of her infant daughter next to a dead seal, a "sealfie"), and many other cultures who practice overtone singing. (thx, @bmcnely, @ChrisWalks1 & james)
John Overholt, a curator of early modern books and manuscripts at Harvard's Houghton Library, has started a new blog called First Drafts of History that features the first versions of Wikipedia articles. Here's the first draft of the iPhone entry, dated more than a year and a half before it was introduced.
I'm sure there were many giggles about this kind of thing in the Britannica offices back then. Wikipedia has come a long way.
In Focus has a look at some of the early entries in National Geographic's annual photography contest. Good stuff as usual.
Photo by Mehmet Karaca. Love the way the mantis's tail mimics the branch it's standing on.
From CineFix, their top ten slow motion sequences of all time.
Includes scenes from The Matrix, Hard Boiled, Reservoir Dogs, and The Shining. But no Wes Anderson!?! *burns down internet* (via @DavidGrann)
As a writer, designer, and, hell, as a human being, I value simplicity over most other considerations. But I also have a soft spot for dense hyper-detailed illustrations in the style of Mattias Adolfsson.
Many more examples of Adolfsson's work is on Flickr. Reminds me of a pair of books I love reading with the kids: Mark Alan Stamaty's Who Needs Donuts? and Cars and Trucks and Things That Go by Richard Scarry. The illustrations in these books are nearly infinite; the kids and I have read Cars and Trucks probably more than 70 times and almost every time through, we find something new.
Tony Zhou's excellent series on filmmaking, Every Frame a Painting, has become a much-watch for me. Here's the latest one, a short look at a single scene from Silence of the Lambs in which Zhou asks: Who Wins the Scene?
There's an incredible 16-second sequence in this video of clouds, starting at around 10 seconds in. It looks as though the sky is a roiling ocean wave about to crash on the beach. I've watched it approximately 90 times so far today.
It's worth making the video fullscreen and pumping it up to the max quality (2160p!) to see it properly. (via colossal)
Speaking of Mark Alan Stamaty, the illustrator did a pair of drawings in the late 1970s for the Village Voice: one of Times Square and one of Greenwich Village. They're packed with details of how those areas were perceived in the 70s.
Prints of both are available.
For the first episode of podcast called Working, David Plotz talks to Stephen Colbert about how he and his staff construct The Colbert Report. This is fascinating.
My show is a shadow of the news, so I have to know what shadow it's casting right now, so I can distort it in my own way.
At the 13 minute mark, he talks about how the team communicates with each other about how the show is shaping up, changes, concerns, etc. They do it all by what sounds like text messaging. Paging Stewart Butterfield, you should get those folks on Slack. (via digg)
Paintings in a cave in Indonesia have been dated to 40,000 years ago, as old or older than any paintings found in Europe.
For decades, the only evidence of ancient cave art was in Spain and southern France. It led some to believe that the creative explosion that led to the art and science we know today began in Europe.
But the discovery of paintings of a similar age in Indonesia shatters this view, according to Prof Chris Stringer of the Natural History Museum in London.
"It is a really important find; it enables us to get away from this Euro-centric view of a creative explosion that was special to Europe and did not develop in other parts of the world until much later," he said.
The discovery of 40,000-year-old cave paintings at opposite ends of the globe suggests that the ability to create representational art had its origins further back in time in Africa, before modern humans spread across the rest of the world.
"That's kind of my gut feeling," says Prof Stringer. "The basis for this art was there 60,000 years ago; it may even have been there in Africa before 60,000 years ago and it spread with modern humans".
From A Continuous Lean, a review of some of NYC's most beloved bygone music venues, including The Cotton Club (closed 1940), The Gaslight Cafe (closed 1971), and CBGB (closed 2006).
Despite being located in Harlem, and showcasing many black performers, The Cotton Club actually had a strict "whites only" policy.
As I've written before, after the World Cup in 2010, I wanted to keep watching soccer but didn't quite know how club soccer worked or anything about the various teams. I wish I'd had this book then: Club Soccer 101. It's a guide to 101 of the most well-known teams from leagues all over the world.
The book covers the history of European powerhouses like Arsenal, Barcelona, Bayern Munich, Chelsea, Inter Milan, Manchester United, Paris Saint-Germain, and Real Madrid; historic South American clubs like Boca Juniors, Corinthians, Penarol, and Santos; and rising clubs from Africa, Asia, and America, including such leading MLS clubs as LA Galaxy, New York Red Bulls, and Seattle Sounders. Writing with the passion and panache of a deeply knowledgeable and opinionated fan, Luke Dempsey explains what makes each club distinctive: their origins, fans, and style of play; their greatest (and most heartbreaking) seasons and historic victories and defeats; and their most famous players -- from Pelé, Eusébio, and Maradona to Lionel Messi, Wayne Rooney, and Ronaldo.
This is fun...Aatish Bhatia maps out the forces and motions involved in doing an ollie on a skateboard.
It's a neat piece of science art, and it also tells us something interesting. The arrows show us that the force on the skateboard is constantly changing, both in magnitude as well as in direction. Now the force of gravity obviously isn't changing, so the reason that these force arrows are shrinking and growing and tumbling around is that the skater is changing how their feet pushes and pulls against the board. By applying a variable force that changes both in strength and direction, they're steering the board.
John Gruber's tweet last night reminded me I'd never written up a review for Room 237, the documentary about Stanley Kubrick's The Shining. Gruber writes:
Broke down and watched "Room 237". It was bad. Really bad. Boring bad. Crazy people.
Just watch "The Shining" again instead.
I agree. I watched it earlier this year and disliked the film so much, I didn't even finish it, which is rare for me. As I hinted at on Twitter, I'm exposed to enough anti-vaccine, anti-evolution, anti-anthropogenic climate change, anti-science, and religious fundamentalist "theories" in my day-to-day reading that are genuinely harmful to humanity that an examination of how the minds of conspiracy theory crackpots take the smallest little details and weave them into fantastical stories that make no sense is not how I want to spend my time.
As if to underscore my dislike of the film, the following arrived in my inbox shortly after I watched it.
To: Jason Kottke <email@example.com>
Prospective Story: Re: Stanley Kubrick's "The Shining"
i'm not good at salesmanship so i'll get right to the point. i've solved the mystery of room 237 in stanley kubrick's 'the shining' i'm shopping this information to various media sources. here's the deal:
*** the price is $13,000.00
*** i'm aware of the documentaries, the scholarly analyses and the terrabytes of web space dedicated to the topic
*** nobody has gottten it right
*** i guarantee satisfaction
*** there's no risk. either you think the solution to the greatest cinematic mystery of all time is worth 13k or you don't. all i require beforehand is a conditional agreement protecting me from ip theft
*** i remain anonymous. once the transaction is complete the information is yours. i don't care who receives credit or what you do with it
it's been over 30 years. this information should be public. YOU can be the first.
i look forward to your response
Putting on my tin foil hat for a minute, DONT YOU SHEEPLE UNDERSTAND WHAT THIS MEANS? That someone is watching what I'm watching! How did this person know I had just watched Room 237?! I bet it's the NSA! Or something! They are watching for people with large audiences to plant lies about Kubrick to deflect attention away from the faked Moon landing! For some reason! THIS IS THE PROOF WEVE BEEN WAITING FOR!??
Yep: "Really bad. Boring bad. Crazy people."
One of the most difficult things to get right in movies about aliens or the future is matching the cultural and technological sophistication of a people with their environment and history. In Avatar, the Na'vi are portrayed as a Stone Age tribe, living in relatively small groups and essentially ignorant or uninterested in technology beyond simple knives and bows. But the Na'vi are also very physically capable, obviously very intelligent, aware of their global environment, well-nourished, healthy, omnivorous, adaptive, and even inventive. They have domesticated animals, are troubled by few serious natural predators, can live in different environments, have easy access to many varied natural resources (for sustenance and building/making), and can travel and therefore communicate over long distances (dozens if not hundreds of miles a day on their winged animals).
And most importantly, the Na'vi have regular and intimate access to a moon-sized supercomputer -- a neural net supercomputer at that -- that connects them to every other living thing on their world and have had such access for what could be millennia.
It just doesn't add up. The Na'vi are too capable and live in an environment that is far too pregnant with technological possibility to be stuck in the Stone Age. Plot-wise it's convenient for them to be the way they are, but the Na'vi really should have been more technologically advanced than the Earthlings, not only capable of easily repelling any attack from Captain Ironpants but able to keep the mining company from landing on the moon in the first place.
In a post on his great blog, The Year in Pictures, James Danziger discusses some of the photography featured in a forthcoming book, The Final Four of Everything, including Danziger's own selections for Iconic American Photographs. The Final Four of Everything seems to be a sequel of sorts to The Enlightened Bracketologist by the same authors...or perhaps just the same book with a much better title.
Gorgeous videos of chemical reactions (precipitation, bubbling, crystallization, etc.). I think the metal displacement reaction video is my favorite:
Czech photographer Dita Pepe takes portraits of herself integrated into the lives of other people.
That's a movie poster for Argo, the fake movie that the CIA "made" as a cover for getting six American diplomats out of Iran in 1980. Ben Affleck's Argo, which cements the former prettyboy actor's status as one of the best young American directors, is somewhat loosely based on The Master of Disguise, a book written by the guy Affleck plays in Argo, and a 2007 Wired magazine article by Joshuah Bearman called The Great Escape. Argo is up for several Oscars and is now available on Blu-ray and DVD.
Update: Here's a CIA report written by Mendez about the caper. And I'm listening to the soundtrack right now.
I straight-up loved this movie. It's a fascinating look at the creative process of a team with strong leadership operating at a very high level. The trailer is pretty misleading in this respect...the main story in the film has little to do with fashion and should be instantly recognizable to anyone who has ever worked with a bunch of people on a project. Others have made the comparison of Anna Wintour with Steve Jobs and it seems apt. At several points in the film, my thoughts drifted to Jobs and Apple; Wintour seems like the same sort of creative leader as Jobs.
Gastropod is a new podcast about about food "through the lens of science and history" from radio journalist Cynthia Graber and Edible Geography's Nicola Twilley. Episode 1, embedded below, is about the history of cutlery.
Chances are, you've spent more time thinking about the specs on your smartphone than about the gadgets that you use to put food in your mouth.
But the shape and material properties of forks, spoons, and knives turn out to matter-a lot. Changes in the design of cutlery have not only affected how and what we eat, but also what our food tastes like. There's even evidence that the adoption of the table knife transformed the shape of European faces.
Lionel Messi made his debut for FC Barcelona 10 years ago. At Grantland, Brian Phillips assesses his career thus far.
The irony of that goal against Getafe, in retrospect, is that he's not the next Maradona; he's nothing like Maradona. Maradona was all energy, right on the surface; watching Messi is like watching someone run in a dream. Like Cristiano Ronaldo, Maradona jumped up to challenge you; if you took the field against him, he wanted to humiliate you, to taunt you. Messi plays like he doesn't know you're there. His imagination is so perfectly fused with his technique that his assumptions can obliterate you before his skill does.
He has always seemed oddly nonthreatening for someone with a legitimate claim to being the best soccer player in history. He seems nice, and maybe he is. (He goes on trial for tax evasion soon; it is impossible to believe he defrauded authorities on purpose, because it is impossible to believe that he manages his finances at all.) On the pitch, though, this is deceptive. It's an artifact of his indifference to your attention. He doesn't notice whether or not you notice. His greatness is nonthreatening because it is so elusive, even though its elusiveness is what makes it a threat.
Messi is only 27, holds or is within striking distance of all sorts of all-time records, and I'm already sad about his career ending. This is big talk, perhaps nonsense, but Messi might be better at soccer than Michael Jordan was at basketball. I dunno, I was bummed when Jordan retired (well, the first two times anyway), but with Messi, thinking about his retirement, it seems to me like soccer will lose something special that it will never ever see again.
A short and sweet pixel art tribute to legendary animator and director Hayao Miyazaki.
See also 8-bit Ghibli.
I think this guy is the T-1000 robot from Terminator 2, but for chopping onions instead of assassinating future resistance fighters. Evidence:
1. In the brief view we get of his face at about 20 seconds in, he is not even really looking at the onion. Total robot move.
2. Um, he's like superhumanly fast at chopping that onion.
3. The T-1000 can easily morph into other people, like this fast watermelon cutter or this pancake flipper or this lemon chopper. Different people, same shapeshifting food prep robot from the future! (via @kdern)
Give me even the simplest gravity simulator and I will play with it for many many minutes. Or hours. Or days. (Send help!)
I've posted quite a few skateboarding videos here over the years and they all have their share of amazing tricks, but the shit Bob Burnquist pulls on his massive backyard MegaRamp in this video is crazy/incredible. My mouth dropped open at least four times while watching. I rewatched the trick at 2:50 about 10 times and still can't believe it's not from a video game. (via @bryce)
When Anthony Bourdain's hour-long food and travel show first launched on CNN, it marked the network's step away from 24 hours news and towards more entertainment programming. But maybe Bourdain is just the reporter we need these days when most of what we see of other cultures is satellite images or shots of rubble. "I'm not a foreign policy wonk, but I see aspects of these countries that regular journalists don't." From FastCo: Anthony Bourdain has become the future of cable news, and he couldn't care less.
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Eleanor Lutz has a degree in molecular biology, works as a designer, and loves to combine the two interests by making these wonderful information graphics on her site, Tabletop Whale. Her most recent post is an animated graphic showing how several animals (birds, bats, insects) move their wings while flying.
I love love love Lutz's animated chart of North American butterflies. So playful!
There are only four posts on the site so far, but she's done other stuff as well; this woodcut map for instance. Prints are available...I'm getting one of the butterflies for sure.
The Strange Maps book is out today. The book is based on the awesome Strange Maps blog, one the very few sites I have to exercise restraint in not linking to every single item posted there. The content of the book is adapted from the site, so of course it's top shelf.
My only reservation in recommending the book is the design. When I cracked it open, I was expecting full-bleed reproductions of the maps, large enough to really get a detailed look at them. The maps *are* the book, after all. But that's not the case...only a few of the maps get an entire non-full-bleed page and some of the maps are stuck in the corner of a page of text, like small afterthoughts. The rest of the design is not much better, cheesy at best and distracting at worst. I wasn't expecting Taschen-grade production values, but something more appropriate to the subject matter would have been nice.
Thirteen Ways of Looking at Greg Maddux is not really a story about Greg Maddux. Or sports. It's about Jeremy Collins' friend Jason Kenney, demons, self-control, determination, friendship, competitiveness, and loss.
Jason kept a picture of Maddux above his desk in our dorm room at Young Harris College in the north Georgia mountains. A beautiful athlete, the best on campus, Jason played only intramurals and spent serious time at his desk. A physics workhorse and calculus whiz, he kept Maddux's image at eye-level.
Shuffling and pardoning down the aisle to our seats, Jason stopped and squeezed my shoulder. "Look," he said.
Maddux strode toward home, hurling the ball through the night.
It's 2014. I'm thirty-seven. My wife and daughter are both asleep. I'm a thousand miles from the stadium-turned-parking-lot. On YouTube, Kenny Lofton of the American League Champion Cleveland Indians looks at the first pitch for a ball. Inside, low. I don't remember the call. I remember all of us standing, holding our breath. Then I remember light. Thousands of lights. Waves of tiny diamonds. The whole stadium flashing and Jason, who would die five months later on the side of a south Georgia highway, leaning into my ear and whispering, "Maddux."
Great, great story. As Tom Junod remarked on Twitter, "Every once in a while, a writer throws everything he's got into a story. This is one of those stories."
From David Fear at Rolling Stone, an appreciation of the "Genius of Idiocracy", the smartest stupid movie ever made.
This is Judge's vision of the future -- a landscape of staggering vulgarity and franchising run amuck, where Carl's Jr. can take your kids if you can't pay for their "big-ass fries," consumers eat tubs of butter while watching the Masturbation Channel and the President is a porn star/five-time TV wrestling champion. As he mentions in the interview below (jump to the 27-and-a-half mark), Judge was in line at Disneyland with his family when two women, each with kids in strollers, started screaming obscenities at each other. "I [started] thinking, what if the movie 2001, instead of the monolith and everything being pristine and advanced...what if it was The Jerry Springer Show and giant WalMarts?" With basic human intelligence now bred out of existence, the profoundly stupid have inherited the earth and they've turned it into both a giant, poorly run superstore and an Orwellian dystopia sponsored by Olive Garden.
Counterpoint by Matt Novak at Paleofuture: Idiocracy Is a Cruel Movie And You Should Be Ashamed For Liking It.
What's so wrong with this thinking? Unlike other films that satirize the media and the soul-crushing consequences of sensationalized entertainment (my personal favorite being 1951's Ace in the Hole), Idiocracy lays the blame at the feet of an undeserved target (the poor) while implicitly advocating a terrible solution (eugenics). The movie's underlying premise is a fundamentally dangerous and backwards way to understand the world.
If you haven't seen it, decide for yourself and watch the film on Amazon. (via @khoi)
Rose Callahan photographs gentlemen with "exceptional personal style" for her blog, The Dandy Portraits.
She's collected some of her best shots into a book, I Am Dandy: The Return of the Elegant Gentleman. See also the great dude battles of the 1880s. (via slate)
Using the Flesch-Kincaid readability test, Vocativ analyzed more than 600 speeches from all the American Presidents for ease of comprehension. What they found was a trend toward simpler language as speeches needed to appeal to a wider range of people, not just super-educated white men.
I think President Obama, no more or less than President Bush, tries to pack a lot of nuance and subtext into language that is as plain and straightforward as possible. While President Bush was often inarticulate off the cuff, Bush's speeches were underestimated. There was a crisp formality to a lot of his best speeches, particularly the ones he delivered shortly after Sept. 11.
Definitely click through for their analysis of the data.
You can mine Bitcoin by hand with a pencil and paper.
The SHA-256 algorithm is surprisingly simple, easy enough to do by hand. (The elliptic curve algorithm for signing Bitcoin transactions would be very painful to do by hand since it has lots of multiplication of 32-byte integers.) Doing one round of SHA-256 by hand took me 16 minutes, 45 seconds. At this rate, hashing a full Bitcoin block (128 rounds) would take 1.49 days, for a hash rate of 0.67 hashes per day (although I would probably get faster with practice). In comparison, current Bitcoin mining hardware does several terahashes per second, about a quintillion times faster than my manual hashing. Needless to say, manual Bitcoin mining is not at all practical.
From the author of the bestselling children's book Go the Fuck to Sleep comes a sequel of sorts: You Have to Fucking Eat.
Is this the first surrealist free diving video? I wasn't sure and then Superman showed up.
Rex Sorgatz wonders what sort of robots we'll build, R2-D2s or C-3POs.
R2-D2 excels in areas where humans are deficient: deep computation, endurance in extreme conditions, and selfless consciousness. R2-D2 is a computer that compensates for human deficiencies -- it shines where humans fail.
C3-PO is the personification of the selfish human -- cloying, rules-bound, and despotic. (Don't forget, C3-PO let Ewoks worship him!) C3-PO is a factotum for human vanity -- it engenders the worst human characteristics.
I love the chart he did for the piece, characterizing 3PO's D&D alignment as lawful evil and his politics as Randian.
Robert Wright has a new book out soon called The Evolution of God. Andrew Sullivan has a review.
From primitive animists to the legends of the first gods, battling like irrational cloud-inhabiting humans over the cosmos, Wright tells the story of how war and trade, technology and human interaction slowly exposed humans to the gods of others. How this awareness led to the Jewish innovation of a hidden and universal God, how the cosmopolitan early Christians, in order to market their doctrines more successfully, universalised and sanitised this Jewish God in turn, and how Islam equally included a civilising universalism despite its doctrinal rigidity and founding violence.
Last month's issue of The Atlantic contained an excerpt.
For all the advances and wonders of our global era, Christians, Jews, and Muslims seem ever more locked in mortal combat. But history suggests a happier outcome for the Peoples of the Book. As technological evolution has brought communities, nations, and faiths into closer contact, it is the prophets of tolerance and love that have prospered, along with the religions they represent. Is globalization, in fact, God's will?
I loved two of Wright's previous books, The Moral Animal and especially Nonzero. (via marginal revolution)
From Silence of the Lambs (#1) to To Kill A Mocking Bird (#9) to Blade Runner (#28), these are the 50 best book-to-movie adaptations ever, compiled by Total Film.
Somehow absent is Spike Jonze's Adaptation and I guess 2001 was not technically based on a book, but whatevs. The commenters additionally lament the lack of Requiem for a Dream, Gone with the Wind, The French Connection, Rosemary's Baby, Last of the Mohicans, and The Wizard of Oz.
In the future, people won't want to meet or talk to celebrities, they'll just want to borrow some of their social capital.
TBD Catalog is a catalog from the near future, filled with imagined goods you might see in a SkyMall or IKEA catalog in 2024. Or as they put it, "the catalog of the near future's normal ordinary everyday".
This is not your near future of superlative Silicon Valley exuberance where you happily 3D-print a perfect set of lease-licensed Opinel steak knives or blissfully commute to work in your fascistically sleek Google-powered, chem-battery fueled autonomous vehicles. Nor is this the abysmal near future where you huddle in the smoldering foxholes of apocalyptic ruin. TBD Catalog runs through the middle. It is neither extreme. It is a design fiction about a normal, ordinary everyday near future. TBD Catalog is a design fiction because it makes implications without making predictions. TBD Catalog is a design fiction because it sparks conversations about the near future. It serves to design-develop prototypes and shape embryonic concepts in order to discard them, make them better, reconsider what we may take for granted.
From the brains of Bruce Sterling, James Bridle, Aaron Straup Cope, and a dozen others, you can order yours here. And holy cow, I'm getting one of these Bounty Hunter Coaches Jackets too. (Looking good, @darthjulian)
One of the last interviews David Foster Wallace gave was with Bryan Garner, a lawyer and lexicographer who became friendly with Wallace due to their mutual love of language. That hour-long interview is reproduced in Quack This Way: David Foster Wallace & Bryan A. Garner Talk Language and Writing.
David Foster Wallace was at the center of late-20th-century American literature, Bryan A. Garner at that of legal scholarship and lexicography. It was language that drew them together. The wide-ranging interview reproduced here memorializes 67 minutes of their second and final evening together, in February 2006. It was DFW's last long interview, and the only one devoted exclusively to language and writing.
It was Wallace's piece featuring Garner in Harper's, Tense Present, that cemented him as a favorite writer of mine, even before I tackled Infinite Jest. Wallace later expanded the essay to 62 pages in Consider the Lobster and Other Essays.
Like it says on the tin: a collection of Beautiful Maps. I wish there was some attribution attached to each map though. The map above is by Claude Bernou circa 1681. (via @khoi)
With the BBC's new online feature, Your Life on Earth, you plug in when you were born and it spits out all sorts of facts about how the world has changed since you were born. Here are some of mine:
Population has increased by 3,324,602,171 since you were born (currently 7.24 billion)
A coast redwood's growth in your lifetime: 52'10"
Travelled 24.1 billion miles around the Sun
Global life expectancy has increased by 10.1 years since you were born
I am 170 years old on Mercury
Do you want to make a lot of espresso really fast? Enter the The Gatlino®, a machine gun that uses Nespresso capsules in place of bullets.
It was during one bleary break-of-dawn that I found myself slouched over the machine making coffee and drifting into visions of the Nespresso hooked up to a belt of ammunition, or a machine gun being fed by a chain of Nespresso capsules. I'm not sure which. Doesn't matter. What's important is that it led me to wonder how long it would take to fire all the Nespresso cartridges ever made. The environmentally-conscious will be appalled.
Underworld put out their seminal record, Dubnobasswithmyheadman, 20 years ago. To celebrate, they've released a "Super Deluxe / 20th Anniversary Remaster" version of the album with the original tracks, remixes, alternate versions, live versions, and other stuff, 6 hours and 15 minutes of music in all.
Very quickly, here's how a computer works at the simplest level.
Want to see how computers store data? This next device is called a 'D-Latch'. It holds a binary bit. The top switch is the value to be stored, the bottom switch enables storage. Eight of these devices can be used to store a byte in memory.
This is the design that Norway has chosen for their banknotes starting in 2017:
From now on, I'm paying for everything with kroner. (via co.design)
European suits of armor always look so impractical when you see them in museums, but how did they perform in combat? Well enough for the wearer to do jumping jacks and move quickly on the battlefield.
(via the kid should see this)