On the 48th anniversary of the assassination of JFK, Errol Morris talks to Tink Thompson about “The Umbrella Man”, a gentleman who was pictured in the Zapruder film standing with an open umbrella near where Kennedy was shot on a sunny day. The result is a nifty six-minute film.
For years, I’ve wanted to make a movie about the John F. Kennedy assassination. Not because I thought I could prove that it was a conspiracy, or that I could prove it was a lone gunman, but because I believe that by looking at the assassination, we can learn a lot about the nature of investigation and evidence. Why, after 48 years, are people still quarreling and quibbling about this case? What is it about this case that has led not to a solution, but to the endless proliferation of possible solutions?
The Updike piece from the New Yorker is available here (subscribers only, but the abstract is informative):
For example, “the umbrella man”: though the day was clear and blowy, he can be detected, in photographs, standing on the curb just about where the assassination would in a few seconds occur, holding a black umbrella above him; seconds later he is again photographed, walking away, gazing tranquilly at the scramble of horrified spectators. His umbrella is now furled. Who was he? Where is he now?