The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature.
On the Art of Opera describes how Kim and his dad, the late Great Leader Kim Il Sung, discovered the husk of a tired art form and gave it a much-needed shot of North Korean communism. Any impartial observer would agree that Kim’s aesthetic prescriptions are every bit as crowd-pleasing as his economic policies.
“In conventional operas,” Kim writes, “the personalities of the characters were abstract, their acting clumsy, and the flow of the drama tedious, because the singers were forced to sing unnaturally and their acting was neglected.” Furthermore, until the arrival of the Kims, “no one interwove dance and story very closely.”
And now? “The ‘Sea of Blood’-style opera,” he observes, “has opened up a new phase in dramaturgy.” In case you’ve been living in a cave, Sea of Blood is North Korea’s longest-running production, the Cats of Pyongyang. It has been staged 1,500 times, according to the official Korea News Service, which calls it an “immortal classical masterpiece.” Kim claims to have revamped the form by chucking the aria out the window and replacing all solo performance with a cunning Kim innovation: the pangchang, a more satisfying off-stage chorus representing groupthink.