Ed Levine says the best gelato in NYC is being served in a tanning salon. My favorite banh mi (and perhaps the best baguette in town) can be found in the back of a jewelry store. Any other odd places to find good food?
Did you know that there's a teensy museum on the moon?
Now I find out there was already an entire Moon Museum, with drawings by six leading contemporary artists of the day: Andy Warhol, Robert Rauschenberg, David Novros, Forrest "Frosty" Myers, Claes Oldenburg, and John Chamberlain. The Moon Museum was supposedly installed on the moon in 1969 as part of the Apollo 12 mission.
I say supposedly, because NASA has no official record of it; according to Frosty Myers, the artist who initiated the project, the Moon Museum was secretly installed on a hatch on a leg of the Intrepid landing module with the help of an unnamed engineer at the Grumman Corporation after attempts to move the project forward through NASA's official channels were unsuccessful.
Apperceptive, the little engine that runs a large chunk of the professional blogosphere, gets a nice shout-out from Talking Points Memo's Josh Marshall.
One other point I should note: because of our size and resources, we've never been able to field close to the hardware resources behind the site as would be called for with the scale of traffic we get (to give you a sense, we now regularly get traffic equal to what we got on election night 2006, and almost four times what we got on election night 2004). That's required some custom tinkering to keep our blog train from going off the server rails. Now, we've gotten some nice praise recently for the stuff our team has published at TPM. But literally none of it would be possible without the engine the folks at Apperceptive have built for us that keeps the words streaming off our keyboards on to your computer screens.
Around All-Star time a couple of weeks ago, Nike released a shoe called the Nike Trash Talk, "the first Nike performance basketball sneaker completely produced from manufacturing waste". The shoe, worn by Steve Nash in a recent game, looks a bit like Frankenstein's monster with all the exposed stitching; it's a beautiful shoe and I want a pair. The problem is that it's one of those limited edition deals...which means they're already all sold out and sitting on the shelves of sneaker collectors next to hundreds of other boxes of shoes that will never be worn. I looked on eBay and found two pair but not in my size. What are my chances of getting a pair of these at approximately retail price? I'm not looking for a collectors item...I just want to wear them!
A look at the New Yorker magazine from the 1930s and 40s: the covers, the writers, the advertising, etc.
Mr. McCain is not the first person to find himself in these circumstances. The last Arizona Republican to be a presidential nominee, Barry Goldwater, faced the issue. He was born in the Arizona territory in 1909, three years before it became a state. But Goldwater did not win, and the view at the time was that since he was born in a continental territory that later became a state, he probably met the standard.
In an NY Times op-ed piece, Michael Bloomberg says that he's not running for President but will support a candidate with an "independent approach".
The changes needed in this country are straightforward enough, but there are always partisan reasons to take an easy way out. There are always special interests that will fight against any challenge to the status quo. And there are always those who will worry more about their next election than the health of our country.
These forces that prevent meaningful progress are powerful, and they exist in both parties. I believe that the candidate who recognizes that the party is over - and begins enlisting all of us to clean up the mess - will be the winner this November, and will lead our country to a great and boundless future.
Scott King: How I'd Sink American Vogue. His approach would include stories like "How To Dress Angry", "635 Poor People Upside Down!", and "Karl Lagerfeld Discusses Various Cancers", as well as a 14-page advertisement-free issue.
A list of the stocks that have been added to and deleted from the Dow Jones Industrial Average since 1929. Got this from What I Learned Today, which has more information about the Dow (General Electric is the only remaining member of the original 11 Dow stocks).
Are the suburbs the next slums?
At Windy Ridge, a recently built starter-home development seven miles northwest of Charlotte, North Carolina, 81 of the community's 132 small, vinyl-sided houses were in foreclosure as of late last year. Vandals have kicked in doors and stripped the copper wire from vacant houses; drug users and homeless people have furtively moved in. In December, after a stray bullet blasted through her son's bedroom and into her own, Laurie Talbot, who'd moved to Windy Ridge from New York in 2005, told The Charlotte Observer, "I thought I'd bought a home in Pleasantville. I never imagined in my wildest dreams that stuff like this would happen."
James Kunstler has been saying this for ages.
The Riverdale Garden Restaurant in the Bronx is trying out a novel way of staying in business: they're asking for their regulars to pledge $5000 in exchange for a year of free dinners.
Michael had put The Riverdale Garden up for sale for the past several months and had a buyer. However, the landlord "killed" the deal. We are now forced to close for good or rely on our best customers to put their money where their mouths are! Quite literally........ You will be eating your investment. Bottom line is we have 12 couples so far ready to invest $5000 in dining credits, however we need 38 more.
(via eater)
A long list of obsolete skills, like "tuning in TV stations by using an antenna rotor" and "cranking up or down a car window".
Trailer for an amazing-looking game called Crayon Physics Deluxe; it's part Line Rider, part The Incredible Machine. Deluxe is a sequel to the more rudimentary Crayon Physics (sadly, PC-only). (via clusterflock)
A comparison of Owen Wilson's roles in Wes Anderson films and his real-life goings-on.
Mapping the idea of "life imitating art" onto Owen Wilson's biography and Wes Anderson's films reveals their startling convergence. As Anderson's works increasingly addressed themes of depression, psychiatric treatment, and "hitting bottom," so too did Wilson's life chart a course towards collapse. Wilson's characters in Anderson's early films-the sublime geniuses born of commingling depression, emotion and creativity-gradually give way to caricatured objects of psychoanalytic explication.
Photos of the exterior the Long Duration Exposure Facility.
That cylindrical object you see pictured above is a roughly school-bus sized structure which was deployed into space in 1984. It orbited the Earth for five and a half years with nothing expected of it other than to float there, getting battered about by whatever the great black yonder saw fit to throw at it. You see, every inch of its outside surface was covered with Science. 57 separate experiments, mounted in 86 trays, involving the participation of "more than 200 principal investigators from 33 private companies, 21 universities, seven NASA centers, nine Department of Defense laboratories and eight foreign countries." Its purpose was to study the effects of space on a multitude of materials. Its name is the Long Duration Exposure Facility (LDEF) and I am deeply in love with it.
The 2007 Digital Economy Handbook is almost 200 pages of information about trends related to the internet, hardware, software, communications, digital media, ecommerce, and more. Looks like an amazing document and it's a free download. Tons of charts and graphs and tables. (thx, jeff)
@ the movies
Blade Runner
They don't make 'em like they used to. Sort of. According to Wikipedia, there are seven different versions of Blade Runner, from a 113-minute workprint version shown to test audiences in early 1982 to the "Final Cut" supervised by director Ridley Scott and released in late 2007. I saw the latter version1 and with the exception of Rachael's giant shoulder pads and the slower pacing, the whole thing seemed surprisingly contemporary (or not-too-dated at least). The film has aged well, like a fine wine.
[1] Which I watched in HD on a large TV...a fantastic way to view this beautifully cinematic film. I think this is what David Lynch is taking about when he says that you shouldn't watch movies on a "fucking telephone". ↩
Interview with Susan Bradley, who did some graphic design and designed a typeface for Pixar's Ratatouille. I enjoyed her response when asked about "one thing everybody should do today":
Something backwards or something analog you'd normally computerize.
You can find out more about Susan on her site. (via waxy)
Shall we play a game?
Ollie and I invented a new game last night. Actually, it's more fair to say that he invented it and I followed along. The playing field consisted of two couches facing each other with a coffee table in between. All the furniture was raised off the ground so that the ground-level lines of sight were clear. He started by crawling around one of the couches. I gave chase and caught up with him; he saw me coming and started laughing and crawling away faster. I overtook him and he started chasing me. So I crawled around to the back of the other couch, intending to ambush him from behind. But Ollie peeked underneath the furniture, saw that I was going the other way, and turned around to catch me. There was so much laughing when he ambushed my ambush...he was just so tickled that he'd figured it out. Then it was my turn to chase him again. We played this rudimentary game of tag -- chase the other person until you "catch" them and then you become the hunted -- until my knees were all red and sore.
I thought kids had to be much older before they could start playing like this, much less inventing their own little games. But kids are amazing little adaptive sponges...Ollie understood the rules of the game at least as well as I did, even though we hadn't actually agreed on any rules (or that we were even playing a game!) before starting. He just crawled off and followed his instincts.
This is going to be fun.
When you die, become an intellectual property donor.
Why let all of your ideas die with you? Current Copyright law prevents anyone from building upon your creativity for 70 years after your death. Live on in collaboration with others. Make an intellectual property donation. By donating your IP into the public domain you will "promote the progress of science and useful arts" (U.S. Constitution). Ensure that your creativity will live on after you are gone, make a donation today.
Includes a downloadable template for a sticker that you can affix to the back of your driver's license.
There was a big bust in Chinatown yesterday...32 vendors selling counterfeit watches, sunglasses, and handbags were shut down. All up and down Canal St today, not only are the busted stores closed but all the other shops selling fake goods are shuttered as well. And not a single person asked me if I wanted to buy Juno on DVD.
What's funny about the whole thing is how open the vendors are about what they're selling. These are actual physical shops like the Apple Store or the Gap, not a bunch of purses out of a garbage bag set up on a rickety card table. And uniformed police are around all the time, doing absolutely nothing about it. And then all the luxury fashion houses get the mayor's ear, he can no longer ignore the problem, and Bloomberg ends up at the scene, grandstanding for the cameras and calling the whole thing a big problem that they're working on tirelessly. A friend said this morning it reminded him of the "dope on the table" scenes in The Wire...little more than constabulary theater.
A student fondly remembers his lying economics professor whose highly effective teaching technique involved a Lie of the Day in each of his lectures.
This was an insidiously brilliant technique to focus our attention -- by offering an open invitation for students to challenge his statements, he transmitted lessons that lasted far beyond the immediate subject matter and taught us to constantly checksum new statements and claims with what we already accept as fact.
(via vitamin briefcase)
Update: Scott Berkun suggests that this technique may have originated with a 1995 Neil Postman essay.
A partial archive of the influential webzine Word. Memories flooding back. (via waxy)
Nice collection of photographs of Pakistan's elaborately decorated motor vehicles.
The most striking thing in Pakistan is the vision of trucks and buses completely covered in a riot of color and design. They might spew diesel fumes, they may take up all of the winding, narrow, under-maintained road one is trying to negotiate, but they are certainly noticeable, like so many mechanical dinosaurs adorned in full courtship colors.
(via david archer)
Why does the woman depicted in the Mona Lisa appear to be both smiling and not smiling at the same time? The smile part of the Mona Lisa's face was painted by Leonardo in low spatial frequencies. This means that when you look right at her mouth, there's no smile. But if you look at her eyes or elsewhere in the portrait, your peripheral vision picks up the smile. (via collision detection)
Is George Clooney the last movie star?
The only one we have. Wow. There's one teensy-weensy problem, though, that nobody seems to have noticed. One tiny little thing missing from the George Clooney is the World's Biggest Movie Star storyline...nobody watches his movies.
On the other hand, Will Smith gets Oscar noms and gets people into the theater.
Some bootleg scans of these were linked around the web last week, but here's the real thing: photos of current Hollywood celebrities photographed in scenes from Hitchcock films. Click on the photos to see the originals.
@ the movies
Michael Clayton
I like Tilda Swinton and all, but her performance in Michael Clayton receiving awards bugs me. She was the only prominent woman character in the movie and was the only character who was insecure, emotional, and tentative. None of the other main characters appeared unsure of themselves for even an instant, not even the crazy guy. In short, Swinton played a stereotypically weak woman in a sea of stereotypically strong men characters. Boooring. At least her character wasn't just sexy and stupid...but is that progress?
(Warning, spoilers: One could also argue that Swinton's takedown at the end of the film could be construed as a comment on the part of the filmmakers about the proper role of women in the executive workplace. But I wouldn't go there.)
Music video for Orbital's The Box from 1996. That's Oscar winner Tilda Swinton, yo.
No spoilers, no spoilers. It appears that the very last episode of The Wire will not air a week early on HBO OnDemand like all the previous episodes have this season. Air date is Sunday, March 9...the show appears OnDemand the next day. The series finale will clock in at 93 minutes, longer by 15 minutes than last season's finale.
<72pt text>What?</72pt text> Clarence Thomas hasn't asked a question in a Supreme Court session in over two years...that's 142 cases. Says Thomas:
One thing I've demonstrated often in 16 years is you can do this job without asking a single question.
(via clusterflock)
I love this little rant by Jeffrey Wells about people who don't watch the "20 or 25 films that are somewhere between excellent, very good or good enough to watch and think about later" that are released every year.
Movies are not supposed to be pills that you take to feel better. They're not travelling carnivals with elephants and jugglers. They're supposed to be aesthetic journeys and emotional hikes that get us in touch with things that too many of us tend to push away (or anesthetize ourselves from) in our day to day. They're supposed to be compressions and condensations that create indelible moments, insights and excavations into our collective soul. We're only here for 80 or 90 years, we need to figure some stuff out before we pass on, and good movies are part of the learning-and-realizing process.
(via goldenfiddle)
Design and the Elastic Mind
On view at MoMA through May 12, 2008: Design and the Elastic Mind.
In the past few decades, individuals have experienced dramatic changes in some of the most established dimensions of human life: time, space, matter, and individuality. Working across several time zones, traveling with relative ease between satellite maps and nanoscale images, gleefully drowning in information, acting fast in order to preserve some slow downtime, people cope daily with dozens of changes in scale. Minds adapt and acquire enough elasticity to be able to synthesize such abundance. One of design's most fundamental tasks is to stand between revolutions and life, and to help people deal with change.
I was surprised at how many of the show's ideas and objects I'd seen or even featured on kottke.org already. But getting there first isn't the point. The show was super-crowded and I didn't have a lot of time to look around, but here are a couple of things that caught my eye.
Michiko Nitta's Animal Messaging System (AMS), part of a larger project she did called Extreme Green Guerillas. The basic idea of the AMS is to use the radio ID tags worn by migratory animals to send messages from place to place. Nice map.
Molecubes are self-replicating repairing robots. Video here.
And I've been looking for Brendan Dawes' Cinema Redux project for several months now...most recently I wanted to include his work in my time merge media post.
Using eight of my favourite films from eight of my most admired directors including Sidney Lumet, Francis Ford Coppola and John Boorman, each film is processed through a Java program written with the processing environment. This small piece of software samples a movie every second and generates an 8 x 6 pixel image of the frame at that moment in time. It does this for the entire film, with each row representing one minute of film time.
For more, check out the online exhibition (designed by Yugo Nakamura and THA Ltd, the folks behind FFFFOUND!). Thanks (and congratulations!) to Stamen for hosting a tour of the exhibition.
Harlem rent parties and Fats Waller
According to Wikipedia, a rent party is:
a social occasion where tenants hire a musician or band to play and pass the hat to raise money to pay their rent. The rent party played a major role in the development of jazz and blues music.
Further reading suggests that rent parties started in Harlem in the 1910s as a way to offset rising rents.
Harlemites soon discovered that meeting these doubled, and sometimes tripled, rents was not so easy. They began to think of someway to meet their ever increasing deficits. Someone evidently got the idea of having a few friends in as paying party guests a few days before the landlord's scheduled monthly visit. It was a happy; timely thought. The guests had a good time and entered wholeheartedly into the spirit of the party. Besides, it cost each individual very little, probably much less than he would have spent in some public amusement place. Besides, it was a cheap way to help a friend in need. It was such a good, easy way out of one's difficulties that others decided to make use of it. Thus was the Harlem rent-party born....
Jazz pianist Fats Waller was associated with these parties and lived a short but colorful life.
The ebullient young man with the dazzling jazz style was a big hit at the Sherman Hotel. His nightly audience included men with wide lapels and bulging pockets. One evening Fats felt a revolver poked into his paunchy stomach. He found himself bullied into a black limousine, heard the driver ordered to East Cicero. Sweat pouring down his body, Fats foresaw a premature end to his career, but on arrival at a fancy saloon, he was merely pushed toward a piano and told to play. He played. Loudest in applause was a beefy man with an unmistakable scar: Al Capone was having a birthday, and he, Fats, was a present from "the boys".
The party lasted three days. Fats exhausted himself and his repertoire, but with every request bills were stuffed into his pockets. He and Capone consumed vast quantities of food and drink. By the time the black limousine headed back to the Sherman, Fats had acquired severeal thousand dollars in cash and a decided taste for vintage champagne.
I was inspired to read about rent parties and Waller by this interview with Michel Gondry, director of Be Kind Rewind. Gondry says about his film:
It's important in the story that there's a parallel between what's happening in the film and what happened in the past with rent parties, which were very real. Fats Waller became the great musician he was through those parties. When someone could not afford the rent for one month, they'd make a party. You'd bring a dollar, and there would be a piano contest all night long. People making their own entertainment, that's exactly what it is.
Here's Waller performing one of his most well-known pieces, Ain't Misbehavin'.
The NY Times launches TimesMachine, an alternate look into their vast online archive. It's basically an interface into every single page of the newspaper from Sep 18, 1851 to Dec 30, 1922. The advertising on these old pages is fascinating.
Update: For whatever reason, the Times has taken TimesMachine offline.
Jad Abumrad from Radio Lab curates The Morning News' Video Digest and selects clips from movies with good music.
You know what's dumb about the "SoAndSo Company is the Next Google" headlines. But do you know what's *really* dumb about the "SoAndSo Company is the Next Google" headlines? Before Google became the company whose success everyone was chasing, it was Microsoft. Before that, it was IBM. That's it, three companies since 1960. What are the chances it's going to happen again anytime soon? (Nothing against Etsy, but this is the one that set me off.)
Why is movie popcorn so expensive? Because it subsidizes movie prices for more movie goers. That and the theaters get to keep all the profit they make on consessions; that's generally not true for ticket sales.
An amazingly dense infographic of box office revenues for all movies since 1986. It's a little confusing at first because the vertical scale is basically irrelevant, but once you get the hang of things, it's fun to just scroll through the years. Interesting stuff to look out for:
1. The gross receipts have obviously gone up in the past 11 years.
2. The summers get much more blockbustery.
3. As time goes on, movies open bigger but don't last nearly as long in the theater as they used to. There are also more movies to choose from in 2007 than in 1986.
4. For some exceptions to the normal pattern, check out My Big Fat Greek Wedding, Juno, Dances With Wolves, Platoon, and Million Dollar Baby. (via big picture)
Liveblogging the Oscars
Just a heads up to let you know that a liveblog of the Oscars is going to be starting here in a little bit. Follow along as I follow along, if you know what I mean (and I think you do).
7:44a, Feb 25th: The Oscars are over. 20% of the nominees won. The cat threw up on the rug and Ollie's a bit fussy this morning. We'll see you back here next year.
11:42p: Bedtime. Last update until tomorrow morning, when I assume the Oscar ceremony will finally be over.
11:06p: None of the stories on the front page of Digg refer to the Oscars. Unsurprising that they have their heads in the sand on such an important issue.
10:47p: BREAKING NEWS: The program on ESPN2 right now is not Fisting; it's Fishing. Fishing. Also, 1363 unread items in my RSS reader.
10:28p: Fashion update. Just took off my shirt. It's hot in here, it's not just me.
10:08p: Battery life at 31% and dropping.
10:00p: Just checked the movie times at the theater two blocks from my apartment. Juno at 10:50, There Will Be Blood at 10:20, Atonement at 10:30, and No Country for Old Men at 10:15 & 10:55. Michael Clayton is on Movies OnDemand for $4.99 at any time.
9:32p: Is this a good time to go to the movies? Lots of empty seats at There Will Be Blood maybe?
9:07p: My liveblogging outfit this evening: jeans by Banana Republic, long sleeve tshirt by American Apparel, socks by Wal-Mart, boxer shorts by Muji.
8:55p: What else is on right now: The Mummy on Encore, Buffy the Vampire Slayer on Fox Movie Channel, Miller's Crossing on Encore Action, The Departed on Cinemax, episode #8 of The Wire on HBO, the Masterpiece version of Pride and Prejudice on PBS, Bulls vs. Rockets on ESPN, Godfather II on AMC, and Born Into Brothels is just ending on IFC but Spanking the Monkey starts in 20 minutes.
8:43p: Non-ceremonial bulletin: I've turned on the comments.
8:34p: I'm told that the ceremony has started.
7:58p: The Oscars have not started yet.
Trailer for Indiana Jones and the Kingdom of the Crystal Skull redone in the style of a circa-1980s movie trailer.
If adventure has a name, it must be: Indiana Jones.
Proust Was a Neuroscientist is the story of how eight writers and artists anticipated our contemporary understanding of the human brain. From the preface:
This book is about artists who anticipated the discoveries of neuroscience. It is about writers and painters and composers who discovered truths about the human mind -- real, tangible truths -- that science is only now rediscovering. Their imaginations foretold the facts of the future.
I enjoyed the book quite a bit so I sent the author, Jonah Lehrer, a few questions via email. Here's our brief conversation.
Jason Kottke: Your exploration of the intersection of neuroscience and culture begins with Proust; you were reading Swann's Way while doing research in a neuroscience lab. Where did the idea come from for a collection of people who anticipated our modern understanding of the human brain? How did you find those other stories?
Jonah Lehrer: The lab I was working in was studying the chemistry of memory. The manual labor of science can get pretty tedious, and so I started reading Proust while waiting for my experiments to finish. After a few hundred pages of melodrama, I began to realize that the novelist had these very modern ideas about how our memory worked. His fiction, in other words, anticipated the very facts I was trying to uncover by studying the isolated neurons of sea slugs. Once I had this idea about looking at art through the prism of science, I began to see connections everywhere. I'd mutter about the visual cortex while looking at a Cezanne painting, or think about the somatosensory areas while reading Whitman on the "body electric". Needless to say, my labmates mocked me mercilessly.
I'm always a little embarrassed to admit just how idiosyncratic my selection process was for the other artists in the book. I simply began with my favorite artists and tried to see what they had to say about the mind. The first thing that surprised me was just how much they had to say. Virginia Woolf, for instance, is always going on and on about her brain. "Nerves" has to be one of her favorite words.
Kottke: Which of your characters did you know the least about beforehand? Even a seeming polymath like yourself must have a blind spot or two.
Lehrer: Definitely Gertrude Stein. I actually found her through William James, the great American psychologist and philosopher. She worked in his Harvard lab, published a few scientific papers on "automatic writing," and then went to med-school at Johns Hopkins before dropping out and moving to Paris to hang out with Picasso. So I knew she had this deep background in science, but I had only read snippets of her work. I then proceeded to fall asleep to the same page of "The Making of Americans" for a month.
Kottke: Are there other characters that you considered for inclusion? If so, why weren't they included?
Lehrer: Lots of people were left on the cutting room floor. I had a long digression on Edgar Allen Poe and mirror neurons. (See, for instance, "The Purloined Letter," where Poe has detective Dupin reveal his secret for reading the minds of criminals: "When I wish to find out how wise, or how stupid, or how good, or how wicked is any one, or what are his thoughts at the moment, I fashion the expression of my face, as accurately as possible, in accordance with the expression of his, and then wait to see what thoughts or sentiments arise in my mind or heart, as if to match or correspond with the expression.") I also had a chapter on Coleridge and the unconscious, but I think that chapter was really just me wanting to write about opium. But, for the most part, I can't really say why some chapters survived the editing process and others didn't. I certainly mean no disrespect to Poe. If they let me write a sequel, I'll find a way to include him.
Kottke: I noticed that three out of the eight main characters in the book are women. Surveying the usually cited big thinkers of the 19th and 20th centuries, it would have been easy to write this book with all male characters. Is there an implicit statement in there that science would be better off with a greater percentage of women participating?
Lehrer: While I certainly agree with the idea that the institution of science would benefit from more female scientists, I didn't choose these female artists for that reason. I don't think you need any ulterior motive to fall in love with the work of Virginia Woolf and George Eliot. Their art speaks for itself. That said, I think the psychological insights of women like Woolf were rooted, at least in part, in their womanhood. Woolf, for instance, rebelled against the stodgy old male novelists of her day. Their fiction, she complained, was all about "factories and utopias". Woolf wanted to invert this hierarchy, so that the "task of the novelist" was to "examine an ordinary mind on an ordinary day." There's something very domestic about her modernism, so that the grandest epiphanies happen while someone is out buying flowers or eating a beef stew. Women might not be able to write novels about war or politics, but they could find an equal majesty by exploring the mind.
Plus, I think Woolf learned a lot about the brain from her mental illness. As a woman, she was subjected to all sorts of terrible psychiatric treatments, which made her rather skeptical of doctors. (In Mrs. Dalloway, she refers to the paternalistic Dr. Bradshaw as an "obscurely evil" person, whose insistence that the mental illness was "physical, purely physical" causes a suicide.) Introspection was Woolf's only medicine. "I feel my brains, like a pear, to see if it's ripe," she once wrote. "It will be exquisite by September."
Kottke: Are there other books/media out there that share a third culture kinship with yours? I received a copy of Lawrence Weschler's Everything That Rises: A Book of Convergences for Christmas...that seems to fit. Steven Johnson's books. Anything else you can recommend?
Lehrer: I've stolen ideas from so many people it's hard to know where to begin. Certainly Weschler and Johnson have both been major influences. I've always worshipped Oliver Sacks; Richard Powers has more neuroscience in his novels than most issues of Nature; I just saw Olafur Eliasson's new show at SFMOMA and that was rather inspiring. I could go on and on. It's really an exciting time to be interested in the intersection of art and science.
But I'd also recommend traveling back in time a little bit, before our two cultures were so divided. We don't think of people like George Eliot as third-culture figures, but she famously described her novels as a "a set of experiments in life." Virginia Woolf, before she wrote Mrs. Dalloway, said that in her new novel the "psychology should be done very realistically." Whitman worked in Civil War hospitals and corresponded for years with the neurologist who discovered phantom limb syndrome. (He also kept up with phrenology, the brain science of his day.) Or look at Coleridge. When the poet was asked why he attended so many lectures on chemistry, he gave a great answer: "To improve my stock of metaphors". In other words, trying to merge art and science isn't some newfangled idea.
--
Thanks, Jonah. You can read more of Lehrer's writing at his frequently updated blog, The Frontal Cortex.
An annotated list of the top ten cinematographic moments in film in 2007: part 1 and part 2.
The shot that stuck out in my head the very first time I saw the film spoke to me so deeply that I referenced it in my initial review: "A few years trickle by as Plainview adds onto his enterprise until finally, oil. A black-tarred hand reaches to the sky and suddenly you sense the influence of Stanley Kubrick on the film. Like the apes who discovered weaponry in "2001: A Space Odyssey," Plainview has come upon the object that will dictate America's destiny for the next century and more." I don't thiink I could say it any better now.
(via house next door)
1. See a map of the world made out of musical notes.
2. Now, listen to the map.
Update: I misread the text associated with the second link...the music does not correspond to the notes on the map. But anyone wants to give it a shot, send along an MP3 of your recording. (thx, bill)
The programmers profiled in the 1986 book, Programmers at Work...where are they now?
Bill Gates. Then: founder of Microsoft, popularizer of the word "super". Now: richest guy in the world. After a stint in the 90s as pure evil, semi-retired to focus on philanthropic work.
The deliverymen at Saigon Grill won their lawsuit against the restaurant's owners. The employees claimed that they were underpaid ($120 for 75 hours per week!), were fired, and then picketed the restaurant for months.
Twenty-eight of the deliverymen were fired during the next two days, in violation of a federal law prohibiting employers from "retaliating against workers for engaging in concerted activity for mutual aid and protection." As the lawsuit dragged on, diners arriving at the Saigon Grill locations were forced to cross picket lines of angry, unemployed workers.
We live near the Greenwich Village location (the enthusiastic chants of the picketing deliverymen could be heard from our living room) and didn't order from them or visit the restaurant during the strike. Assuming the workers are hired back and the restaurant reinstates delivery, we're looking forward to ordering from them again and doling out some big tips.
Buzzfeed has started collecting their trends onto tag pages; my favorite tag so far is No One Cares...it's a collection of the trends that people weren't interested in reading, like Pancake Day, Chinese People Using the Internet, and Carl Sagan Blog-A-Thon. Come on! What's wrong with thozzzzzzz...
Profiles of 5 New Yorkers that dress in only one color.
Why gray?
I actually wore turquoise for eight years, but last September, I switched to gray. I'd had a bad year and needed to get out of it.That's a big switch.
I like everything to be clean, and gray is clean. Gray is between black and white, so it's a noncolor, almost. I feel messy and unclean if I wear other colors.Where do you shop?
I make all my own clothes. I can't wear anyone else's.What about shoes?
That's hard because even the soles of my shoes have to be gray or white. I get annoyed if the soles are black.
Oh, The Onion: Pornography-Desensitized Populace Demands New Orifice To Look At.
Interview with HD DVD player owner Steven Johnson
Earlier this week, Toshiba announced that they would no longer be manufacturing or marketing HD DVD players, which effectively ended the HD disc format war going on between HD DVD and the victorious Blu-ray format. Later that day, author and tech gadget enthusiast Steven Johnson twittered the following:
Chuckling at the fact that the ENTIRE PLATFORM died a month after I bought my HD-DVD player.
Thinking that it would be interesting to hear the tale of an early adopter in the age of hyper-obsolescence, I sent Johnson a few questions that he was kind enough to answer.
Jason Kottke: Warner Brothers went exclusively Blu-ray on January 4. When did you buy your player?
Steven Johnson: Basically our old DVD player broke, and so I figured we might as well buy a next generation player if we were buying a new one. Being the renowned technology futurist that I am, I analyzed the marketplace and decided that the HD-DVD/Blu-ray standoff was going to be around for a long time, and so I might as well just pick one and go with it. I think I had HD-DVD in my head because I had been thinking about buying the XBOX-360 HD-DVD accessory, so that's what I bought. Right around December 20th I think.
Kottke: The pace of HD DVD's collapse was dizzying, even by contemporary standards. How do you feel about owning a brand new piece of obsolete technology? You're an early adopter...is this just how the game is played, even at this fantastic velocity?
Johnson: I thought it was pretty funny. I mean, the Betamax adopters at least had a few years to nag their VHS friends about the better picture quality, before the format died a slow death. But HD-DVD -- they just took it out back and shot it! I think that's what's so striking about this. I can't remember a standards war where the winner was crowned so definitively. For a few weeks there, I felt like the technology world was taunting me for my decision: I got email from Netflix saying that they were NEVER going to buy another HD-DVD again.
The consolation prize is that Apple introduced HD rentals with the AppleTV -- which we also have -- right as HD-DVD was dying, so I might be able to bypass Blu-Ray altogether, just out of spite.
Kottke: Do you think Blu-ray will achieve the popularity that DVDs did or is the age of shuttling bits around on silver platters over?
Johnson: I really hope so. I've been using the new Apple TV version for the past 48 hours, and the whole HD movie rental process is just completely painless, other than the fact that they should give you 48 hours to watch the movie once you've started it. (By the way, I don't think enough people have commented on that Take Two upgrade: it is basically an entirely new product, and Apple just gave away the upgrade for free -- I think as an implicit acknowledgment that the first iteration wasn't fully baked. Still, how cool.)
Kottke: So you're the owner of a machine that will perform its task perfectly for many years to come but is de-facto useless because you can't buy any new media for it beyond the ~400 currently available titles. Is this becoming a more commonplace situation for consumers?
Johnson: Yes and no. There are more new standards proposed, and new innovations, and thus more obsolescence, but more and more of the new standards are coming in the form of software not hardware, so the transitions aren't nearly as painful as my HD-DVD misadventure. My AppleTV box that I bought last year wouldn't let me watch HD movies or browse Flickr photos, but after twenty minutes of a software update, I can now enjoy both with ease. I think that experience is probably going to be more commonplace than my getting burned buying into the wrong silver platter.
--
Thanks, Steven.
Some cultures use whistling languages to communicate when regular speech becomes ineffective over large distances. From Wikipedia:
Whistled languages are normally found in locations with difficult mountainous terrain, slow or difficult communication, low population density and/or scattered settlements, and other isolating features such as shepherding and cultivation of hillsides. The main advantage of whistling speech is that it allows the speaker to cover much larger distances (typically 1 - 2 km but up to 5 km) than ordinary speech, without the strain (and lesser range) of shouting. The long range of whistling is enhanced by the terrain found in areas where whistled languages are used.
Here's an mp3 of two men communicating via whistling. It sounds very much like R2-D2.
Interview with Michel Gondry on his new movie, Be Kind Rewind.
I hate cynicism. I wipe it from me. I don't like cynical people. I don't like cynical movies. Cynicism is very easy. You don't have to justify it. You don't have to fight for it.
Gondry also did a hilarious remake of the film's original trailer.
Update: Maybe Gondry got the premise for the movie from an old Nickelodeon show called Amanda, Please! Or not.
A series of posts by Mark Bernstein on what he calls NeoVictorian Computing. Some interesting thoughts in there; here's a taste:
We software creators woke up one day to find ourselves living in the software factory. The floor is hard, from time to time it gets very cold at night, and they say the factory is going to close and move somewhere else. We are unhappy with our modern computing and alienated from our work, we experience constant, inexorable guilt.
and also:
Everyone has pretty much the same computer. Your computer is my computer. Nobody is really very happy about their computer; the very best minds in the field walk around with old Dells or MacBooks, just like your grandmother. Almost everyone has pretty much the same software.
Oh, and:
We sound unhappy. Our best Web discourse (Tim Bray and John Gruber and Joel Spolsky and Scott Rosenberg, for example) focuses relentlessly on what a few vendors are doing, and often pleads with those vendors for small favors: new DRM policies for our iPods, or better perspective in the application dock. Our worst discourse (usenet, slashdot, valleywag, the comment section of any popular tech blog after comment #12) is consistently puerile; it's often hard to imagine that these are written by scholars, scientists and engineers, and petulant children.
I think that last sentence is supposed to end "not petulant children", but you get the idea. (via scott rosenberg)
Paula Scher argues that the design of advertising has gotten a lot better in recent years but that the graphic design community isn't paying too much attention.
I'm not sure that the graphic design community as a whole is paying any attention to this. I don't see very many speakers from the advertising community invited to speak at design conferences (except for the very few who lead branding groups at agencies and in some circles they are still considered the enemy). I don't read about it on design blogs, and I'm not seeing books published about it. I'm not seeing advertising, in any form, turn up in any design museum exhibitions, not at the Modern, not at the Cooper-Hewitt. The Cooper-Hewitt National Design Museum has an annual designer award category for Communication Design and I've never seen an advertising person nominated since the award's inception.
(via quipsologies)
Job opening: the Charles Simonyi Professorship in the Public Understanding of Science at Oxford will be vacant in September 2008. If you apply and get it, you will be succeeding Richard Dawkins, who has reached the university's mandatory retirement age.
An extensive collection of cheat sheets for programming languages and applications. There are 10 PHP cheat sheets alone and more for related things like Drupal and CakePHP.
Did Alexander Graham Bell drink Elisha Gray's telephone-flavored milkshake?
On May 22, 1886, The Washington Post published a shocking front-page scoop: Zenas F. Wilber, a former Washington patent examiner, swore in an affidavit that he'd been bribed by an attorney for Alexander Graham Bell to award Bell the patent for the telephone over a rival inventor, Elisha Gray, who'd filed a patent document on the same day as Bell in 1876.
Even though Bell has been legally vindicated on this issue, Seth Shulman's new book, The Telephone Gambit, suggests that he did in fact steal a key idea from Elisha Gray. (via house next door)
O'Reilly Media and Wolfram Research are going to be collaborating on a web version of Mathematica.
Called "Hilbert" after the influential German mathematician, David Hilbert, the newly licensed software will be browser accessible and, utilizing AJAX technologies, will emulate the desktop version of the software with remarkable fidelity. "The magic of AJAX will allow OST to combine or 'mash-up' Mathematica with other web-based technologies to deliver and support high quality science and mathematics courses online such as the Calculus&Mathematica courses currently taught through NetMath at the University of Illinois and other universities," explains Scott Gray, Director of the O'Reilly School of Technology.
Hilbert should be available before the end of the year.
Photos of kids with their science experiments, including Juicy Beans, Garlic: The Silent Killer, and Extreme Wood.
Jourdan Dunn was the first black model to walk the catwalk for Prada since Naomi Campbell in 1997. "Wow, it's been a while" is right.
Ok, now we're getting meta up in this piece. Scott took all the Single Serving Sites in my list and made a Single Serving Site that cycles through them. Here's a SSS that lists other SSS. Additionally, there's a Wikipedia entry.
Update: Ho, ho, not so fast. The Wikipedia page for Single Serving Sites has been flagged for speedy deletion for several reasons:
This article or other page provides no meaningful content or history, and the text is unsalvageably incoherent. It is patent nonsense.
It is blatant advertising for a company, product, group, service or person that would require a substantial rewrite in order to become an encyclopedia article.
Not notable: definition of days-old neologism; not covered anywhere except a popular blog and a few less-popular ones.
Heh.
Interview with a man who cut off his right hand in a staged accident because he felt that having "two hands was a defect in my body".
So it's irrational, but is it insane? It's true that a major amp makes your body less functional, so how can it be sane to do it? For me, I think the answer is in what I was going through before my amp. I was so consumed by the drive to lose my hand that I could scarcely function.
Now I've totally lost the desire to amputate anything. I'm totally used to doing things with a hand and a stump. It's true I need to ask for help like once a day, that I'm a bit slower at dish washing, keyboarding, and stuff like that, but is that worse than being seriously overweight, or being short of breath from smoking, or even trying to walk in stiletto heels?
Somewhat related: a demonstration video of Dean Kamen's mechanical arm, which he calls the Luke Arm after Luke Skywalker's sophisticated mechanical arm in the Star Wars movies. (via waxy)
Photos of all 521 chairs at the Visual Studies Workshop building. This would make a great poster, not unlike the Vitra Design Museum Chairs poster.
Nice interview with John Gruber, proprietor of Daring Fireball. His explanation of how he selects links could easily double for mine:
As for what I link to and what I don't, it's very much like Justice Stewart's definition of obscenity: "I know it when I see it." There's a certain pace and rhythm to what I'm going for, a mix of the technical, the artful, the thoughtful, and the absurd. In the same way that I strive to achieve a certain voice in my prose, as a writer, I strive for a certain voice with regard to what I link to. No single item I post to the Linked List is all that important. It's the mix, the gestalt of an entire day's worth taken together, that matters to me.
Interesting explanation of Prince Rupert's Drops with accompanying video demonstration.
The very high stress within the drop gives rise to unusual qualities, such as the ability to withstand a blow from a hammer on the bulbous end without breaking, while the drops will disintegrate explosively if the tail end is even slightly damaged. When this happens, the large amount of potential energy stored in the drop's crystalline structure is released, causing fractures to propagate through the material at very high speed.
I did research on glass back in college but I never heard anything about this.
A map of a family's movements around the living room while watching TV for an hour. Would be nice to see an animation of the same data.
Kooky video by Chip Kidd in which he does impressions of people interpreting odd bits of text. The Wicked Witch of the West reciting Psalms 23 is my favorite. The video is in support of Kidd's new book, The Learners, out today. (via towleroad)
Thanks to an avalanche of email, I've added a bunch of new items to the Single Serving Sites listing. Now please stop emailing me suggestions!! ;)
The conventional theories in economics and politics contend that people act rationally. Elizabeth Kolbert reviews a pair of books that suggest that's not really the case.
Some of these heuristics were pretty obvious -- people tend to make inferences from their own experiences, so if they've recently seen a traffic accident they will overestimate the danger of dying in a car crash -- but others were more surprising, even downright wacky. For instance, Tversky and Kahneman asked subjects to estimate what proportion of African nations were members of the United Nations. They discovered that they could influence the subjects' responses by spinning a wheel of fortune in front of them to generate a random number: when a big number turned up, the estimates suddenly swelled.
This portrait of Homer Simpson painted in the style of Rembrandt is strangely mesmerizing. Can't look away from those giant eyes.
The other day I posted a link to an article about Hervé This that mentioned how to unboil an egg.
He explains that when an egg is cooked, the protein molecules unroll themselves, link up and enclose the water molecules. In order to 'uncook' the egg, you need to detach the protein molecules from each other. By adding a product like sodium borohydride, the egg becomes liquid within three hours. For those who want to try it at home, vitamin C also does the trick.
Michael Pusateri tried it out (using vitamin C) and it didn't work so well.
The egg was whole and appeared completely unaffected. The texture of the egg outside felt normal and in no way 'unboiled'. While I am a professional engineer, I am a amateur scientist. There are several reasons this process might not have unboiled the egg.
Any molecular gastronomists out there want to give this one a shot?
HD DVD is officially pronounced dead, having died last month when Warner switched to Blu-ray. You all can go out and buy Blu-ray players now. (And wow, that happened quickly.)
Update: Combining two recent trends on kottke.org: Hillary Clinton Is Your New HD DVD Player. (thx, raza)
This photo shoot of Lindsey Lohan as Marilyn Monroe only serves to underscore how unlike (and inferior) Lohan is compared to Monroe. Lohan is the Meet the Spartans version of Monroe. Some of the originals are here, lots more thumbnails here. NSFW.
Update: Here's an accompanying article. And Goldenfiddle had this to say:
This is, without a doubt, the saddest, stupidest, ugliest, most pointless thing ever. Bert Stern should be ashamed of himself.
Apparently, the Dribble-Drive Motion offense is all the rage in the high school and college basketball. The DDM is:
a high-scoring scheme featuring four perimeter players and a host of innovations. Unlike Knight's classic motion offense (which is based on screens) or Pete Carril's Princeton-style offense (which is based on cuts), Walberg's attack was founded on dribble penetration. To Calipari, at least, it embodied two wholly unconventional notions. One, there were no screens, the better to create spacing for drives. Two, the post man ran to the weak side of the lane (instead of the ball side), leaving the ball handler an open driving path to the basket.
The Boston Celtics use a variant of DDM as well.
Gelf Magazine enlisted the help of ZEUS, a football game analyzing computer, to see which NFL coaches called the worst plays at critical times during the 2007 season.
On average, suboptimal play-calling decisions cost each team .85 wins over the course of the season.
In particular, the world champion Giants should have won another game had they called the right plays at the right times. ZEUS also analyzed play calling in "hyper-critical" situations (those fourth-down decisions with five or fewer yards needed for the first down) and found that on average, teams made the wrong calls more than 50% of the time. Here's an interview on the results with the guys behind ZEUS.
Interview with book cover designer Peter Mendelsund. I will read any interview in which the subject replies "I still don't know" when asked how they got their job. I really like what I've seen of Mendelsund's work (sorry...his site resizes the browser window...no, wait, I'm not sorry, *he* should apologize for that); his cover for War and Peace is lovely.
Adam Shepard had $25 and the clothes on his back. As a challenge, he set himself a year to get an apartment, a car, and $2500 in savings.
To make his quest even more challenging, he decided not to use any of his previous contacts or mention his education. During his first 70 days in Charleston, Shepard lived in a shelter and received food stamps. He also made new friends, finding work as a day laborer, which led to a steady job with a moving company.
The whole thing is recounted in Shepard's book, Scratch Beginnings: Me, $25, and the Search for the American Dream. (via cyn-c)
Single Serving Sites
Lately I've noticed a pattern of people building Single Serving Sites, web sites comprised of a single page with a dedicated domain name and do only one thing. Here are a few examples:
Barack Obama Is Your New Bicycle showcases all the lovely things that the presidential candidate has done for you.
Sometimes Red, Sometimes Blue. Sometimes the page is read, sometimes it is blue.
Check out Is Lost a Repeat? if you need to know if the upcoming episode of Lost is a rerun.
D-E-F-I-N-I-T-E-L-Y helps you spell definitely correctly.
Now you can find out quickly from anywhere in the city or world: What Color Is the Empire State Building?
Khaaan! The classic William Shatner and his rage!
Is It Christmas? (thx, michael & andy)
Misanthropebook, a Facebook parody.
Status page for the overburdened microsocial site: Is Twitter Down? (thx, kevin)
Find out, Are We At War With Iran? (thx, kevin)
The Abe Vigoda status page. Currently alive. (thx, peter)
Gods Damn It, a Battlestar Galactica in-joke.
You can do anything at ZOMBO.com. (thx, edward)
The classic You're The Man Now Dog! (thx, jordan)
Purple has a FAQ page but it's a SSS in spirit. (thx, mike)
Oh, it's Yet Another Useless Web Site. (thx, mike)
You Sneezed! blesses you.
Use Is Paris In Jail Right Now? to see if Ms. Hilton is a free woman or not. (thx, lex)
Are you tired? Tell them why. (thx, kathi)
Am I Awesome? Very. (thx, jared)
Hypnotoad! (thx, chris)
Fuck the Sound, which is, I'm told, "IRC quotes (some NSFW) by an Autechre fanboy from Romania". (thx, huphtur)
Gentle advice to those who ask dumb questions: Just Fucking Google It. (thx, michael)
Do websites need to look exactly the same in every browser?
It's not Lupus, it's never Lupus. Some House-related thing? (thx, sharelle)
Beth Cherry keeps a single page blog with no archives. (thx, malcolm)
We Need More Lemon Pledge. Not sure what this is. (thx, zach)
From the same person: Illegal Tender Terms of Service and These are the rules.
No Time For Love, Dr. Jones. Indy, you scoundrel. (thx, wade)
And several more: Is It Tuesday?, The Internet Fire Log, Let's Turn This Fucking Website Yellow, iiiiiiii, Instant Rimshot, It Will Never Be the Same, Thank You Andy Warhol, Free Bill Stickers, raquo, The Last Page of the Internet, Thanks Ants, Is The Apple Store Down?, What Is My IP?, Hillary Clinton Is Your New Bicycle, John McCain Is Your New Bicycle, Michelle Obama Is Your New Bicycle, The Daily Nice, Defiant Dog, Hillary Clinton Is Your New HD DVD Player, and Spinning Beach Ball of Death.
Update: Ha! Alright, this got outta hand in a hurry. There are like 400 emails in my inbox, each with several Single Serving Site suggestions. I quickly went through them all, pulled out the notable ones, and called it good. Thanks to everyone who sent in suggestions.
Rex Sorgatz interviews Adrian Holovaty about Everyblock, a site that "aggregates piles of local information, like restaurant reviews and crime stats, which are then displayed block-by-block".
On a completely different note, it's been a challenge to acquire data from governments. We (namely Dan, our People Person) have been working since July to request formal data feeds from various agencies, and we've run into many roadblocks there, from the political to the technical. We expected that, of course, but the expectation doesn't make it any less of a challenge.
I believe that Everyblock will be most successful not through the utility of its site but if it can get more civic and federal agencies to release more structured data about what's going on in our cities and country. It is *our data* after all.
Nice TV ad for the Madrid Metro...a view of the city from underground.
The fellow/lady behind the excellent Strange Maps blog is doing a book, The Atlas of Strange Maps. In my mind, I have pre-pre-ordered this book...I hope it gets the well-designed cover it deserves.
@ the movies
King of Kong: A Fistful of Quarters
If you've already seen King of Kong: A Fistful of Quarters, I'd suggest reading Jason Scott's pair of posts about the movie. In The King of Wrong, Scott suggests that the filmmakers left out crucial details and fudged others in order to make the actual events fit the story they were trying to tell.
What I'm saying here is that a good percentage of what makes the documentary "good" are made up conflicts, inaccurate reporting, smoothed-over narratives that are meant to make you root for one side or hate the other, when in fact reality doesn't hold up to these allegations. The whole point of the narrative is that Steve is wronged, denied his rightful place in the record books because of internal machinations. But he had the championship for 3 years! He had played Billy one-on-one. Billy was not on this campaign to cut Steve off at the knees at every turn so to humiliate him and dismiss him, to his own aggrandizement.
In a follow-up post, Scott elaborates on his poor opinion of the film, drawing upon his experience making a documentary about another nerd subculture, the BBS.
Is Billy Mitchell "real"? I have no doubt that he says things that are over the top. I have no question that he goes off the rails on certain subjects. I also know that if you interview people for hours on end, at various days, you will get some pretty crazy stuff. How you choose to deal with that stuff is a little bit of who you are as an interviewer and editor and director. There's no question you can "filter for crazy", or "filter for nice", or filter for whatever the hell you wish to. I never claim that Billy's not capable of throwing out whoppers. I'm saying that when you lace his words with an implication of malice, of cheating, of lying to stay on top, then you are moving into caricature and needless trashing of a real person to achieve your goals. Chasing Ghosts has Billy Mitchell and a whole other range of players, and gives you the story without turning the whole experience of video games, and arcades, into a petty small-minded pissing match.
Scott nearly comes off as holier-than-thou about the standards that documentary filmmakers should be held to, but he clearly put his money where his mouth is when filming his BBS documentary. After a rough intervi