[Warning, might be some spoilers.] Cars was perfect. The problem is that it was a little too perfect. After seeing the movie on Friday, Meg and I came up with three reasons why Cars missed.
1. Perfection. Some people don’t like Wes Anderson’s movies because of his emphasis on creating set-driven movies instead of plot- or character-driven movies (ditto George Lucas). With Cars, Lasseter has made himself a perfect world of cars — the petulant young racer, the lawyer Porsche, the Hispanic lowrider, the hick tow truck — but it’s a world without soul, without surprise. Everything was a little too obvious.
2. Inanimate characters talking. This was the first Pixar movie in which non-human-like or non-animal characters talked. In Toy Story, Buzz, Woody, and even the T. Rex talked, but the TV didn’t, nor did the Etch-a-Sketch. In A Bug’s Life, only the insects talked. In Cars, you’ve got these inanimate objects talking to each other, and while they did a great job making them seem human, I just couldn’t get into the characters; it felt fake and inauthentic.
3. Unlikable main character. For the first half of the movie, Lightning McQueen is a flat-out jerk with zero redeeming qualities. I remember reading an interview with John Lasseter recently where he was talking about one of the first rough cuts they did of Toy Story in which Woody was too sarcastic. After seeing it, they realized this and tempered Woody’s sarcasm with some like-ability, so that the audience would be pulling for him to change his ways, a deep-down good guy that needs to see the light. Lightning didn’t deserve redemption…he was just an asshole.
Cars is a fine movie with a lot to recommend it, but it’s just not up to Pixar’s normal standards. I was disappointed.
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